A gaming-inspired cyberpunk adventure with lovable characters in a compelling dystopic setting.
In Parrot’s SF novel, a man relies on the kindness of strangers to survive after being betrayed by his friends.
In 22nd-century New Manhattan, bionic corporate operator Tony Santoro’s friends betray him, stripping him of most of his tech and abandoning him in the low-income, gang-run Blast, “the dirtiest district in the entire metro area.” Tony is immediately accosted by the Helldogs, one of the local gangs. The gang members, known colloquially as “bangers,” conscript Tony into making them money in exchange for his life. Bert, a friendly pawn shop owner, offers Tony a job and a new cybernetic arm in return for protecting his journalist daughter, Adelaide. Adelaide has a remarkable connection with her grandmother’s drone, which she flies using her personal artificial intelligence. As Tony takes on various jobs to make his way in the Blast, Adelaide attempts to make it big in journalism, but something strange is happening to her body. The two team up, and when a video of Tony fighting goes viral, they each see new opportunities for their partnership. Parrot effectively builds the dense world of the novel without relying on extensive lore dumps. The reader is often left to fill in the gaps, but most things become clear as the narrative develops. Dust is a central element—it powers most of the tech in this futuristic setting, and it’s somehow connected to the disaster that’s led to the Blast’s current status quo. Tony and Adelaide each are point-of-view characters; transitions between their perspectives are not always telegraphed with page breaks or other indicators, and the lack of signposts can be jarring, but it is usually clear whose viewpoint the narration is conveying. The reading experience resembles, in an exciting, engaging way, playing a tabletop role-playing game or video game. (As in most RPGs, the main character starts with very little and must work side quests and missions to obtain upgrades.) Parrot’s series-starter will hook gamers and SF afficionados alike with its dynamic characters, unique worldbuilding, and well-written action.
A gaming-inspired cyberpunk adventure with lovable characters in a compelling dystopic setting.Pub Date: May 5, 2026
ISBN: 9798347014217
Page Count: 390
Publisher: Podium Publishing
Review Posted Online: Feb. 24, 2026
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
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