by Polly Evans ‧ RELEASE DATE: Jan. 27, 2009
A bold undertaking to be sure, but woefully short on dramatic tension and attention-sustaining adventure.
Readable but dispensable account of the author’s valiant immersion in the Yukon’s storied dogsledding culture.
“I was going to spend eleven weeks, in the heart of winter, in one of the most inhospitable climes on earth,” writes London-based travel writer Evans (On a Hoof and a Prayer, 2008, etc.), facing the latest of her physically demanding Everywoman adventures with clear-eyed objectivity. She was initially lured by the romantic prospect of working with Yukon sled dogs at Muktuk Kennels, home to some of Canada’s most revered “mushers.” Her plan was to begin with menial work (cleaning out excrement-filled dog kennels) and eventually advance to command a team of sled dogs. The setup promises thrill-a-minute immersion journalism, but Evans delivers a disappointingly secondhand drama. She constantly interrupts her personal narrative to lapse into library-research mode. It seems she’s more comfortable reveling in the woodsy musings of Robert Service, Jack London and other famous writers and poets of the Arctic, or getting vicarious thrills from the exploits of early 20th-century Yukon explorers and gold-hunters. Although Evans’ fascination with the land and its zoological and environmental extremes can make for inspired prose—very few writers have described a mere snowflake with such attentiveness—the constant shifting from hapless amateur dogsledder and kennel custodian to dilettantish Yukon history buff becomes an annoying tactic. Evans maintains admirably defiant enthusiasm in the midst of her bumbling attempts to mix with the filthy, sometimes recalcitrant sled dogs while fending off sickness and frostbite. Unfortunately, the camp banter with her musher mates never seems to go beyond the most cursory conversational snippets. Her sledding companions possess nary a shred of puckish wit nor the slightest predilection for the sort of late-night campfire mischief expected from life-on-the-edge outdoors types.
A bold undertaking to be sure, but woefully short on dramatic tension and attention-sustaining adventure.Pub Date: Jan. 27, 2009
ISBN: 978-0-385-34111-0
Page Count: 286
Publisher: Delta
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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by Polly Evans
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by Polly Evans
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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