Funny and easygoing, Evans reveals the little-known richness of Argentina.



Intrepid English travel writer Evans (Kiwis Might Fly, 2007, etc.) experiences Argentina’s stunningly varied expanses while indulging her girlhood desire to ride horses.

From the high desert of the northwest to the northeast falls of Iguazú to hyperenergetic Buenos Aires to Patagonia and the “end of the world,” Evans roughed it during two months of solitary travel in this vast country. As a pleasant leitmotif, she cleverly incorporates her youthful desire to learn to ride in a land where horses have played a vital role since the Spanish founder of Buenos Aires, Pedro de Mendoza, abandoned a handful of his steeds to run wild and breed on the pampas in the mid-16th century. Evans journeyed from mid-October to mid-December, during the spring in Argentina. She started with a week’s stay at a breathtaking 6,000-acre cattle estancia in Córdoba owned by an Anglo-Argentine family that arrived in the 1820s as part of a British immigration wave. She rode about the hills, drove through the Puna (the desert shared with Chile and Bolivia) and visited the Salinas Grandes. In breezy, lighthearted prose, she imparts a smattering of Argentine history. Che Guevara grew up near Córdoba, for example, and the economic collapse of 2001 left 15 million Argentines in poverty. Evans traces the conquistadors’ inroads and their decimation of the various native tribes, and relates briefly the movement by criollos (South American-born Spaniards) for independence from Spain in 1816. Darwin arrived in Argentina in 1833, and Evans frequently quotes from his observations. Evita Perón and the return of her corpse warrant a digression, as does the “dirty war” of the 1970s and ’80s that resulted in 30,000 “disappeared.” Along her amiable way, Evans encounters tango and gauchos; she even learns to castrate a calf.

Funny and easygoing, Evans reveals the little-known richness of Argentina.

Pub Date: May 6, 2008

ISBN: 978-0-385-34110-3

Page Count: 320

Publisher: Delta

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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