A delectably moody supernatural nail-biter.
A teenager in the early 20th century enters into a precarious relationship with a cult in this debut dark fantasy.
To avoid working for his abusive stepfather, Max Grahame takes a job at the post office in his small Georgia town. The postmaster, Peter Sylvester, and his wife, Addie, seem to take a liking to the 15-year-old. But Max quickly learns of their eccentricities when they take him to a séance. Peter and Addie belong to the Brotherhood of the Aurora, a spiritualist faction whose members believe in and practice “occult phenomena.” Evidently certain that Max has potential, Peter sends the teen to study at an academy of sorts in Nebraska. Max has little choice but to agree, as local cops are eying him for a recent murder he witnessed. Once in Nebraska, he joins other “initiates” in honing such abilities as mind reading, astral travel, and, in Max’s case, psychokinesis. Sadly, as he had left behind his family, Max longs to return home only to learn that his stay at the school may not be voluntary. Soon, he has no idea whom he can trust, and he’ll have to form alliances with potentially dangerous individuals just to keep himself safe. Schattel wastes little time in establishing a brooding atmosphere. For example, the story offers an early introduction to Mister Splitfoot, a “man-spirit” who torments Max throughout the novel. Indelible prose further augments the environment: “Stale chilly air. The stink of saliva. A clutter of upturned chairs, decayed, crumbling tables and medicinal cabinets.” In the same vein, a host of characters is ambiguous, as Max is never sure what seemingly amiable person will ultimately become a menace. The author adds fantasy trademarks, including displays of paranormal capabilities, sometimes in tense, combative sequences. There are some notably violent scenes, like Max as a “blood boy,” assisting a doctor during a particularly visceral operation.
A delectably moody supernatural nail-biter. (dedication, author’s note, author bio)Pub Date: July 17, 2020
ISBN: 978-1-950305-44-5
Page Count: 330
Publisher: JournalStone
Review Posted Online: Sept. 11, 2020
Review Program: Kirkus Indie
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Doesn’t entirely hang together but still manages to hit the spot.
In an alternate early-20th-century Montreal, sparks fly between the operator of a cat shelter and a reclusive magician.
Agnes Aubert is not kindly disposed toward magicians, especially not after a magical duel blows a hole in the building that housed her and her cat shelter. Unfortunately, finding another spot isn’t easy, so she’s happy to take the reasonably priced location on the Rue des Hirondelles. But that’s before she discovers the building’s owner secretly living in the basement: Havelock Renard, the world’s most powerful magician, who also happens to be allergic to cats. As this decidedly odd couple work out a system for cohabitation, Agnes develops some uncomfortable feelings for Havelock; she also can’t deny her attraction to the police detective who thinks (not entirely incorrectly) that the shelter is a front for the illegal sale of magical Artefacts. In comparison to the carefully constructed universe of her Emily Wildeseries, Fawcett’s worldbuilding and plotting are a bit sloppy; the magical system is not laid out as clearly as more pedantic readers might wish, and there’s one part of Agnes’ quandary that gets resolved in a rushed, not truly believable, way. The book also implausibly suggests that an allergy to cats is curable by exposure (rather than managed by a magical antihistamine, perhaps?). But one has to admire the author’s acumen in finding the absolute sweet spot for a cozy fantasy, after all the other ones set in cafes and adorable little shops. It could seem either twee or a cynical grab at the market, but it’s neither; Fawcett clearly understands the complicated but rewarding relationship between humans and cats. It is also charming to set a story in Montreal, where both brioches and bagels are on offer.
Doesn’t entirely hang together but still manages to hit the spot.Pub Date: Feb. 17, 2026
ISBN: 9780593973257
Page Count: 368
Publisher: Del Rey
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
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