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THE OCCULTISTS

A delectably moody supernatural nail-biter.

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A teenager in the early 20th century enters into a precarious relationship with a cult in this debut dark fantasy.

To avoid working for his abusive stepfather, Max Grahame takes a job at the post office in his small Georgia town. The postmaster, Peter Sylvester, and his wife, Addie, seem to take a liking to the 15-year-old. But Max quickly learns of their eccentricities when they take him to a séance. Peter and Addie belong to the Brotherhood of the Aurora, a spiritualist faction whose members believe in and practice “occult phenomena.” Evidently certain that Max has potential, Peter sends the teen to study at an academy of sorts in Nebraska. Max has little choice but to agree, as local cops are eying him for a recent murder he witnessed. Once in Nebraska, he joins other “initiates” in honing such abilities as mind reading, astral travel, and, in Max’s case, psychokinesis. Sadly, as he had left behind his family, Max longs to return home only to learn that his stay at the school may not be voluntary. Soon, he has no idea whom he can trust, and he’ll have to form alliances with potentially dangerous individuals just to keep himself safe. Schattel wastes little time in establishing a brooding atmosphere. For example, the story offers an early introduction to Mister Splitfoot, a “man-spirit” who torments Max throughout the novel. Indelible prose further augments the environment: “Stale chilly air. The stink of saliva. A clutter of upturned chairs, decayed, crumbling tables and medicinal cabinets.” In the same vein, a host of characters is ambiguous, as Max is never sure what seemingly amiable person will ultimately become a menace. The author adds fantasy trademarks, including displays of paranormal capabilities, sometimes in tense, combative sequences. There are some notably violent scenes, like Max as a “blood boy,” assisting a doctor during a particularly visceral operation.

A delectably moody supernatural nail-biter. (dedication, author’s note, author bio)

Pub Date: July 17, 2020

ISBN: 978-1-950305-44-5

Page Count: 330

Publisher: JournalStone

Review Posted Online: Sept. 11, 2020

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: today

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NINTH HOUSE

From the Ninth House series , Vol. 1

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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