The book could serve as a costumer’s reference for period fashion, but Ellen is simply too perfect to be the believable...
Rags-to-riches saga of a fashionable London couturière, from Tasmania resident Graeme-Evans (The Uncrowned Queen, 2006, etc.).
In 1843, cast adrift by widowhood, Constance Gowan, with daughter Ellen, 13, in tow, turns to the family that had disowned her after her elopement with Edwin, a penniless scholar. Her sister Daisy, unhappily married to cruel Sir Isidore, a prominent and much older barrister, welcomes Constance and Ellen to Isidore’s mansion, Shene House. For a while, existence at Shene is almost pleasant—Ellen and her older cousin Oriana are like sisters, and Ellen enjoys having new gowns made for her by Madame de Valentin, an exiled French aristocrat turned dressmaker to the gentry. At a ball, the girls meet Connor, and Ellen is smitten but disappointed when Connor courts Oreana. After Isidore strikes Constance (he’s been abusing Daisy for years), the Gowans flee to Angelique’s atelier. Constance, a gifted seamstress and Ellen, talented at drawing and design, are earning their keep, but Constance, disturbed by the mutual attraction growing between Angelique’s rakish son Raoul and Ellen, insists that they move to London to open a dress shop. After only a day in London, Constance, ailing from consumption, dies. Raoul inveigles Ellen, now 15, into marrying him, but deserts her when she becomes pregnant. She winds up at a clothing factory, but her skill quickly nets her a promotion. When daughter Connie is born (and, after foiling Raoul’s scheme to sell the baby!), Ellen takes refuge at Clairmallon, the great house Oriana shares with her now husband Connor. Still intent on founding her own London fashion emporium, Ellen, staked by Connor, opens Chez Miss Constance. The enterprise struggles until Lady Hawksmoor is seen at a royal reception wearing one of Ellen’s creations. Immediately a bevy of socialites is beating down her door. Raoul, whose gigolo appeal is waning, again sees potential profit in his marriage.
The book could serve as a costumer’s reference for period fashion, but Ellen is simply too perfect to be the believable protagonist of an up-from-adversity story.Pub Date: Oct. 12, 2010
ISBN: 978-0-7432-9442-3
Page Count: 496
Publisher: Atria
Review Posted Online: July 29, 2010
Kirkus Reviews Issue: Aug. 15, 2010
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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