A distinguished novelist’s (The Buru Quartet: House of Glass, 1996, etc.) painful remembrances of the 14 years he spent in an Indonesian prison work camp. Toer acknowledges the somewhat fragmented nature of his memoir—much of it was pieced together from surviving notes that had been smuggled out of the labor camp at great personal risk. For four years, he was forbidden from writing at all, and even when permission was officially granted, the penalty for offending any prison official would certainly have been severe. Toer was arrested along with tens of thousands of other Indonesian citizens after the military takeover which ousted President Sukarno in 1965. As a category B political prisoner (too dangerous to be freed, but not threat enough for immediate execution), he was exiled to a prison work camp on Buru, an undeveloped island in the Moluccas. His story describes the difficulties faced by himself and his fellow prisoners: they were forced to clear roads to the interior of the island using only their hands, to till the hard-packed arid soil of the fields with hand hoes, to build rice paddies in sweltering swamps without proper clothing. Prisoners were punished frequently for unclear infractions—beaten with rifle butts and bamboo canes. They suffered starvation and malnutrition, and were reduced to eating snakes, rats, and lizards for survival. Corrupt guards and officials stole the prisoners— food or demanded tribute in the form of precious chickens and eggs. In addition to serving as witness to the fate of his fellow prisoners, Toer describes the process by which one writes oneself back from the incoherence of nearly total oppression. He describes his writing as a way of using narrative to restore his integrity as a human being—he then attempts to extend this benefit to his fellow victims. The chilling true story behind much of the acclaimed fiction of Toer.
Pub Date: April 1, 1999
ISBN: 0-7868-6416-8
Page Count: 400
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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