A Russian war story that lives and breathes from a writer at the peak of his powers.



A novel examines civil war and prophecy in the years following the Russian Revolution.

In his Kamas Trilogy, Fleming (Forty Days at Kamas, 2015, etc.) described a totalitarian future that may yet arrive. In his new stand-alone tale, the prognosticator turns his pen to a half-imagined history, a totalitarian past that needn’t have been. Sent to Siberia by the United States during the Russian civil war of 1918, when the Communist Bolsheviks fought the Nationalist White Guard in the wake of the czar’s execution, Ned Du Pont finds himself providing aimless backup for the Nationalists in “a miserable little fight.” In this battle, American troops are expressly forbidden to directly engage the enemy, whomever that is. Then he meets the Maid of Baikal. Like her namesake, the Maid of Orléans, young Zhanna Dorokhina hears voices. As with Joan of Arc, those voices belong to saints, and their words provide not only courage in the face of adversity, but also precise wartime tactics the White Guard must obey if it hopes to gain a foothold on success. “My voices tell me Uralsk must be retaken by summer,” Zhanna tells White leader Adm. Alexander Kolchak. “If not, the Red Army will surely breach our defenses at Ufa and sweep across Siberia from Yekaterinburg to the Pacific.” Half entranced by Zhanna’s spiritual mission and half in love with the very real young woman in his charge, Ned finds himself in the position of helping her fulfill her prophesies. His assignment soon becomes a calling and he tries as best he can to both prevent Zhanna’s murder at the hands of a vengeful religious tribunal—the same fate that befell her predecessor—and to use the connections his family name delivers to secure arms and ammunition for the anti-Communist front. Fleming achieves the near impossible in this long book, keeping dozens of plots spinning while he catches the reader up both on what historically transpired and how different outcomes might have plausibly happened. Character after character is ushered into the theater of war, made memorable, then variously deployed to raise the stakes. Treachery, espionage, heroism, or romance seem to hover around each encounter, and the reader is placed in the unusual and invigorating position of watching history come alive with no idea of how it’s going to end.

A Russian war story that lives and breathes from a writer at the peak of his powers. 

Pub Date: N/A


Page Count: 448

Publisher: Dog Ear Publisher

Review Posted Online: Dec. 29, 2016

Kirkus Reviews Issue: Feb. 15, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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