A fast-paced, well-researched work that will particularly appeal to military history enthusiasts.
Lewis’ historical novel fictionalizes a bloody and often forgotten real-life battle of the American Civil War.
On Nov. 30, 1864, the Battle of Franklin was fought by Union forces against the Confederate Army of Tennessee, and Confederate Lt. Gen. John Bell Hood led his men into a massacre. Lewis takes this lesser-known event from near the end of the Civil War and imagines it, almost minute by minute, from a variety of perspectives. In 13 chapters, which follow the days leading up to the battle and its aftermath, the author employs extensive historical research to bring real-life figures to life. Beginning with Confederate Maj. Gen. Patrick Cleburne—who was blocked months ago from taking leave to marry his sweetheart, follows orders with which he doesn’t agree, and sleeps on the grass with his men—the novel switches between various soldiers, including Confederates such as Brig. Gen. Hiram B. Granbury and Cpl. Sam Watkins, and loved ones at home. For example, Mary Alice Carter McPhail is a wife and mother whose husband is fighting on the Confederate side; she’s staying with her family in a home that eventually becomes requisitioned by the Union Army. As a clash becomes inevitable and tensions rise, Lewis examines it from multiple angles, with the important inclusion of two enslaved people, which emphasizes that the Confederacy was “a slave to the idea of slavery as a way of life.” Most poignant is the story of Henry B. Free, whose surname Lewis invented, as records did not grant the real man a surname. The book would likely have benefited from presenting Union soldiers’ perspectives on events, as well. However, Lewis’ intense historical research shines through in his inclusion of military movements, maps, and photographs,which give the work the feel of a history book. His prose is also often vivid, highlighting war’s futility and bringing to life the sights, sounds, and smells of the battlefield (“The stench of gunpowder mingled with the odor of the viscera the powder had created”).
A fast-paced, well-researched work that will particularly appeal to military history enthusiasts.Pub Date: May 13, 2025
ISBN: 9781964830087
Page Count: 328
Publisher: Bariso Press
Review Posted Online: March 5, 2025
Kirkus Reviews Issue: May 15, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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