The infinite and the ineffable, portrayed with singular wit and charm.
Universal mysteries and the legacy of world war are imaginatively transfigured in this beguiling collection of the late (1919–87) Italian polymath’s short fiction.
The book gathers 17 stories published between 1949 and 1986 that reflect the author’s humanist viewpoint and the range of interests displayed in such classic works as The Periodic Table and Report from Auschwitz. Both the war in which Levi unhappily served and the Holocaust he survived are fictionalized in a terse vignette about an Italian partisan who finds a way to “resist” his German captors (“The Death of Marinese”) and a troubling parable (“One Night”) in which an orgy of destruction is perpetrated by “little people” who appear seemingly from nowhere. Elsewhere, unforeseen complications lurk in the innovation of a sleekly packaged killing device (“Knall”) and in the experience of workers in a paint factory (Levi himself was one) where a mixture “that provided protection from misfortune” is created (in “The Magic Paint”). Presumptions of social control are calmly skewered in an understated account of a public spectacle that offers commuted sentences to prisoners who perform as “Gladiators” combating cars, and in the tale of a nondescript clerk entrusted with recording—and arranging—other people’s deaths. There’s a hint of Borges in the description of a lavish fantasyland populated by famous literary characters (featuring such promising pairings as the Marquis de Sade’s Justine with Dracula), and one of Calvino in a fable of social unease as experienced by a kangaroo invited to a lavish “Buffet Dinner.” And the relationships between scientists’ discoveries and their own flawed perspectives and powers are brilliantly conveyed in a wry tale of embattled ethnographers in the Bolivian jungle (“The Sorcerers”) and in the radiant title story, about a fluid celestial entity that mysteriously resists both predictability and classification.
The infinite and the ineffable, portrayed with singular wit and charm.Pub Date: April 11, 2007
ISBN: 978-0-393-06468-1
Page Count: 176
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK REVIEW
BOOK REVIEW
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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