A heartfelt ode to community rooted in marching band dynamics and football play-by-plays.
In Stephens’ novel, two high school football teams and their spirited marching bands—separated by decades—face parallel challenges.
“Few things unite a town like a high school football win.” So observes Phil, the 49-year-old narrator of this debut novel that provides a keenly observed account of two eventful high school football seasons, one in 1986 and the other in the Covid-19 year of 2022. Phil is also the name of the author, who was clearly inspired by his own memories of performing as a band member during football season. Broken into 82 short chapters, the novel alternates between dual time frames: Phil’s tumultuous freshman year playing saxophone in an Alabama high school band in 1986 and his life in 2022 in small-town Indiana as a loving husband to Misha (the name of the author’s real-life wife). An upcoming reunion of his high school band serves as the catalyst for Phil’s self-reflective reminiscences about the school’s football team’s fight to reach the state finals when he was a student. The narrative includes rousing examples of how a marching band can galvanize players and the audience alike, but before the band and team can come together as a united front in 1986, there is some strife. Seniors on the football team are unhappy when band members are recruited to fill empty player slots; there are also girlfriend and boyfriend troubles, injuries, and a parent’s drunk-driving car accident. The present-day team struggles with its own difficulties, such as a captain with a chip on his shoulder, junior varsity players brought in to fill gaps after a resurgence of Covid-19, a critically ill teammate, a couple’s infertility anguish, and a coach working through self-doubt. Friendships and personal issues among wives and husbands are depicted with empathy; “church” (denomination not specified) is an understated source of social and spiritual support. Throughout, descriptions of football games and marching band performances, informed by lived experience and exhaustively detailed here, will resonate with any fan of a sport that’s fundamental to civic identity and pride in countless American towns.
A heartfelt ode to community rooted in marching band dynamics and football play-by-plays.Pub Date: May 28, 2026
ISBN: 9798218883188
Page Count: 406
Publisher: N/A
Review Posted Online: May 1, 2026
Kirkus Reviews Issue: June 15, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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