More dross than expected but plenty of genuine gems of insight as well.
The drummer and co-founder of the Roots unpacks the creative process.
Questlove’s Mo’ Meta Blues (2013) was an uncommonly incisive, reflective, and engaging musical memoir. If that was the author’s masterpiece, this is more like the previously unreleased bonus cuts; it lacks the focus and cohesion of the earlier work, mixing the enlightening with the banal. “Early in this book,” he writes in conclusion, “I also said that I don’t know exactly what the goal of a book about creativity should be. My method has been to share stories from my life working on and around many different projects filled with many different ideas, and the goal of that method is to pass on some of that momentum to you.” The author goes behind the scenes of the Tonight Show, where the Roots are the house band, describes the elation that he feels from receiving a good review and the deflation from a bad one (he seems more attuned to reviews than many other artists), and relates the experiences and influences that have impacted his musical development. Unlike Mo’ Meta Blues, this book is presented and organized like a self-help book, one that doesn’t offer readers much help. “We’re going to need a definition of a creative person to go forward,” he writes. “Here’s a first stab at it: a creative person is a person who creates.” The author moves beyond tautology in the most interesting part of the book, in which he explores how the internet has transformed our culture and the very notion of creativity, making us all curators, even of our own identities. “Our brains are changing,” he writes. “They used to be containers. Now they’re retrievers. It’s a fundamental shift.” Questlove is also interested in artists working across platforms and on chefs and food in general (see his previous book, somethingtofoodabout, for more information).
More dross than expected but plenty of genuine gems of insight as well.Pub Date: April 24, 2018
ISBN: 978-0-06-267055-7
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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