A GIFT FROM GREENSBORO

Name: A GIFT FROM GREENSBORO
Author: Quraysh Ali Lansana
ISBN: 978-0-9972219-1-6

by Quraysh Ali Lansana ; illustrated by Skip Hill ‧ RELEASE DATE: Oct. 11, 2016

A book that creatively glances backward and forward, offering hope for an America that wants to be post-racial but isn’t...

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A book that gives voice to a little-known piece of history.

In this illustrated free-verse poem, the African-American speaker (and author) remembers the candy and parakeets sold at Woolworth’s, but he also recalls enjoying lunch there with his best friend, a white boy named Tod. Unbeknownst to the boys, others had fought civil rights battles at that same lunch counter only a few years prior. Lansana’s verses traverse two geographical areas—Oklahoma City, Oklahoma, and Greensboro, North Carolina—and three time periods: 1958, when Clara Luper, an Oklahoma City civil rights activist, staged a sit-in with several young NAACP member in Katz Drug Store; the mid-1970s, when desegregation closed Lansana’s school and sent him to Tod’s, where they became friends; and 1993, when the Greensboro Woolworth’s closed, later to become the International Civil Rights Center and Museum. Lansana’s erasure of geographical and temporal boundaries may confuse readers, but it emphasizes that civil rights battles happened not just in the South, but across the nation. The backmatter covers desegregation milestones that will give readers a deeper understanding of the story. Hill’s artwork alternates among black-and-white, sepia-and-white, partially covered, and full-color illustrations to draw readers’ attention to what was and what is.

A book that creatively glances backward and forward, offering hope for an America that wants to be post-racial but isn’t yet. (Picture book. 5-10)

Pub Date: Oct. 11, 2016

ISBN: 978-0-9972219-1-6

Page Count: 48

Publisher: Penny Candy

Review Posted Online: Nov. 26, 2016

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S POETRY

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LITTLE DAYMOND LEARNS TO EARN

by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

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How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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CLAYMATES

by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

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Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)