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THE GHOST OF JAMIE MCVAY

Name: THE GHOST OF JAMIE MCVAY
Author: R. G. Ziemer
ISBN: 978-1-68433-215-1

by R. G. Ziemer ‧ RELEASE DATE: Feb. 21, 2019

A brisk, nuanced story of supernatural sightings and adolescent tribulations.

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In Ziemer’s debut YA tale, a teenager believes he’s seen a ghost from his town’s folklore.

Brian Krueger’s life is a struggle after the death of his paternal grandfather. The teen’s dad responds by drinking heavily, prompting his unemployment. So Brian’s mom finds a job, which takes the family from Chicago to just outside Winston, Illinois. Their new neighbors, the Vincenzis, include teenage “Pete the Pyro,” a bully who loves building huge bonfires but clearly doesn’t like Brian. Luckily, Brian has a friend in Sharon Rice. They have English class together at Winston North and team up on a research paper. Their topic is the reputed ghost of Jamie McVay, a local legend. Brian’s interest is personal: One night, he sensed the presence of a speeding train in the same spot, he later learns, of a fatal train accident decades ago. He also saw a red signal light evidently belonging to McVay, the conductor reputedly on the doomed train. Research dredges up secrets surrounding both the wreck and McVay himself. Brian, meanwhile, already has his share of problems: his alcoholic father, constant bullying from Pete and his cronies, and Sharon’s new social status, which may sever their friendship. It all culminates in a Halloween night of shocks and revelations. Despite supernatural elements, Ziemer’s novel is consistently subtle. For example, the red signal light typically indicates McVay’s presence, in lieu of a more overt ghostly image. Likewise understated is Brian and Sharon’s relationship. While potential romance between the teens is apparent, their steadily developing friendship deepens organically, and their mutual attraction is obvious, though neither explicitly addressing it. There’s minimal suspense with regard to the restless spirit of McVay. The scariest parts are generally more relatable, involving such things as Brian’s inebriated dad behind the wheel (with Brian in the passenger seat) and Pete’s rather unnerving fondness for flames. The author’s tight prose helps the story retain a swift pace all the way to a climax that, even if readers see it coming, is wholly gratifying.

A brisk, nuanced story of supernatural sightings and adolescent tribulations.

Pub Date: Feb. 21, 2019

ISBN: 978-1-68433-215-1

Page Count: 237

Publisher: Black Rose Writing

Review Posted Online: Jan. 30, 2020

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.