by R.J. Palacio ; illustrated by Brett Helquist ‧ RELEASE DATE: July 21, 2026
Good-natured, spine-tingling fun.
When the kids are away, the ghosts will play.
Narrator and king of ghosts Rex Magnificus, a skeletal creature with a white Prince Valiant hairstyle, hosts an annual private party for his fellow apparitions that begins at midnight after Halloween: “From every corner of the world, / to one small place they’re bound: / my haunted and mysterious, / fantastical playground.” On this special night, the ghosts don Halloween costumes that were abandoned at the playground and get a reprieve from the obligation to frighten people. But what’s this? A pajama-clad girl and boy (both tan-skinned with rubbery features) arrive, saying they live next door and that the party woke them up. Rex’s attempt to scare them off fails, and the kids join the cavorting ghosts. After Rex tries some carousing, he has a predictable Grinch-like epiphany: “Truth be told, these strange events / have turned out quite delightful.” Palacio, the author of, among other kids’ books, the middle-grade sensation Wonder (2012), serves up a few hiccupy rhymes, but most are snappy and well crafted. As for the story, it may not have needed all of Rex’s verbiage—he’s quite the windbag—although Helquist’s oils do capture the formidability that Palacio seems to be going for. The playground’s eye-snaring carnival colors are a dazzling counterpoint to the soft-lined, swirling, white ghost bodies.
Good-natured, spine-tingling fun. (Picture book. 4-8.)Pub Date: July 21, 2026
ISBN: 9798217029280
Page Count: 50
Publisher: Random House
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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