A perfectly pitched tale, about a family literally and metaphorically on trial for child abuse, that illuminates the convoluted workings of the heart, and of the wider world, with grace and intelligence. Jack Keliher and Lily Sterne, who live just outside Boston, have had a loving and close marriage, strengthened by their love of cooking. They are professional chefs who until recently owned a catering business and store, but life hasn’t been easy recently. The business has failed, they owe lots of money, and though they were pleased when Katie was born, a welcome addition to sons Greg and Ben, Lily experienced post-partum depression and hasn’t really recovered, even though Katie is now 18 months old. She also misses working with Jack, who has taken a corporate catering job to help pay the bills. When Katie is accidently burned, Lily is accused by the hospital, and then the State, of being irresponsible. Her unhappiness and mental health history—she was hospitalized as a teenager in New York for attempted suicide—are central to the State’s charge. The family is investigated by a zealous and nicely obtuse social worker who puts the worst interpretation on everything. Katie recovers but is put in her grandmother’s custody, and as Lily and Jack prepare for a hearing, collecting affidavits, getting a lawyer, and being evaluated by a psychiatrist, both record their feelings. Jack finds himself blaming Lily, while Lily, heartsick, feels isolated and worries about the effects of the accident on the two boys. She’s exonerated by the hearing, but the aftermath is not much easier. She begins receiving hate mail and nasty phone calls; Ben needs counseling as he reacts badly to the protracted stress; and Jack and Lily remain estranged. Hard-earned insights lead eventually to a loving reconciliation and the promise of new, and better, beginnings. A well-rendered victory of love and common sense in a notable debut novel.
Pub Date: April 1, 1998
ISBN: 0-393-04625-7
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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