A perfectly pitched tale, about a family literally and metaphorically on trial for child abuse, that illuminates the convoluted workings of the heart, and of the wider world, with grace and intelligence. Jack Keliher and Lily Sterne, who live just outside Boston, have had a loving and close marriage, strengthened by their love of cooking. They are professional chefs who until recently owned a catering business and store, but life hasn’t been easy recently. The business has failed, they owe lots of money, and though they were pleased when Katie was born, a welcome addition to sons Greg and Ben, Lily experienced post-partum depression and hasn’t really recovered, even though Katie is now 18 months old. She also misses working with Jack, who has taken a corporate catering job to help pay the bills. When Katie is accidently burned, Lily is accused by the hospital, and then the State, of being irresponsible. Her unhappiness and mental health history—she was hospitalized as a teenager in New York for attempted suicide—are central to the State’s charge. The family is investigated by a zealous and nicely obtuse social worker who puts the worst interpretation on everything. Katie recovers but is put in her grandmother’s custody, and as Lily and Jack prepare for a hearing, collecting affidavits, getting a lawyer, and being evaluated by a psychiatrist, both record their feelings. Jack finds himself blaming Lily, while Lily, heartsick, feels isolated and worries about the effects of the accident on the two boys. She’s exonerated by the hearing, but the aftermath is not much easier. She begins receiving hate mail and nasty phone calls; Ben needs counseling as he reacts badly to the protracted stress; and Jack and Lily remain estranged. Hard-earned insights lead eventually to a loving reconciliation and the promise of new, and better, beginnings. A well-rendered victory of love and common sense in a notable debut novel.
Pub Date: April 1, 1998
ISBN: 0-393-04625-7
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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