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THE HOUSE IS ON FIRE

An overly schematic approach to what could have been a fascinating retelling of history.

Beanland imagines how the devastating Richmond Theater fire, which killed 72 people on December 26, 1811, impacted several survivors, some more fictionalized than others.

The novel, which faithfully follows the recorded facts, begins backstage at the theater, where a teenage stagehand raises a chandelier lit with candles that sets the scenery on fire. Soon theatergoers are rushing to escape. Patrick Henry’s daughter Sally Henry Campbell, at the time a 31-year-old widow, selflessly saves those around her before jumping from a window. While nursing wounded survivors over the next few days, she learns that men she knew deliberately trampled over women to get to the stairs, and she concludes that White men of her privileged class are morally bankrupt in their behavior toward both White women and enslaved Black people. While Sally is trapped inside the theater, Gilbert Hunt, an enslaved blacksmith who has secretly learned to read and write, stands outside catching women who jump. While Gilbert is touted as a hero and one of the women he saved raises money to pay for his manumission, the theater company, afraid to take the blame itself, spreads rumors pinning responsibility for the fire on a “slave rebellion.” (The actual Gilbert, though also lauded, actually purchased his freedom years later.) Soon the slave patrol, headed by Gilbert’s owner, is rounding up Black people. Meanwhile, Gilbert’s niece Cecily Patterson decides that the fire, specifically all the bodies burned beyond recognition, might spell freedom if her owners believe she died. Beanland adeptly jumps among the characters’ stories and delights in conveying details of everyday life in 1811 Virginia. But she's heavy-handed in using the story to emphasize the evils of slavery, racism, and sexism. Locked within the author’s political message, characters like the progressive Sally, saintly Gilbert, and a variety of evil White men lack dimension. Only the young stagehand Jack Gibson is allowed to express the human complexity of moral decision-making as his sense of right conflicts with loyalty to his theatrical family.

An overly schematic approach to what could have been a fascinating retelling of history.

Pub Date: April 4, 2023

ISBN: 9781982186142

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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