A unique if occasionally overreaching novel for lovers of The Marvelous Mrs. Maisel.
In a darkly comic debut, Beanland tells the story of a Jewish family on the New Jersey coast in 1934.
It begins with tragedy: Florence Adler, while working toward her ambitious goal of becoming the first Jewish woman to swim the English Channel, drowns off the coast of Atlantic City. Shifting ambitiously among seven different third-person perspectives, the novel explores the aftermath of the tragedy as experienced by three generations of the Adler family and those adjacent to it. Florence’s older sister, Fannie, is on bed rest as she prepares to give birth to her third child a year after having lost her second. The Adler family matriarch, Esther, decides it would be best to keep the tragedy from Fannie in order to minimize her risk of losing the baby. As the family fights against all odds to keep this huge secret, other issues are brought to light, from jealousy to hidden romances to shady business dealings. Remarkably, the plot feels coherent despite the seven points of view, but the novel falters thematically; it could have been a sensitive exploration of the sometimes-absurd lengths we'll go to protect the people we love, but it turns into a diffuse attempt to do too much. The novel's events take place in the shadow of the approaching Holocaust, but the author fails to engage meaningfully with it and so it reads like an afterthought. Perhaps Beanland thought writing a story about Jews set in the 1930s that doesn't deal with that tragedy would be frivolous or insensitive, but the result of her half-baked approach is an “add-Holocaust-and-stir” effect that lacks emotional verisimilitude. In addition, some of the Jewish details in the novel are historically dubious if not incorrect. In this regard, it is reminiscent of the hit show The Marvelous Mrs. Maisel; also in this regard, the particularity of the setting may nonetheless be enough to buoy it, particularly for those interested in little-known pieces of American Jewish culture.
A unique if occasionally overreaching novel for lovers of The Marvelous Mrs. Maisel.Pub Date: July 7, 2020
ISBN: 978-1-982132-46-0
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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