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SUMMER ON DUNE ROAD

An engaging summer read, full of wit, charm, and drama.

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In Cullen’s novel, three women summering in the Hamptons find their idyllic vacations to be more complicated than they’d bargained for.

In chapters told from alternating perspectives, readers come to know Megan and Courtney, two recent college graduates fleeing the fallout from their respective romantic relationships, and Nora, a newly divorced, self-made millionaire who’s reeling from the recent sale of her company. The three start off as strangers and are slowly drawn into one another’s orbits, making an unlikely but amiable trio. For much of the novel, the details of the relationships that drove Megan to accept an invitation from her former stepmother to stay in her Westhampton Beach guesthouse, and Courtney to stay with college acquaintance Alyssa, are unclear, but this mystery creates a deliciously intriguing atmosphere against the posh backdrop. Courtney finds herself increasingly alienated from Alyssa and her posse; unlike the artsy, subdued young woman she knew at school, Alyssa now cares only for partying and drugs (“I’m increasingly aware that ‘Summer Alyssa’ isn’t quite who I bargained for”). Then, Alyssa’s true focus on Courtney’s ex-boyfriend become clear. Soon enough, both Megan’s and Courtney’s relationships catch up with them, resulting in a loosely strung love triangle, malicious lies, and miscommunications. Nora’s chapters, while less immediately gripping, slowly reveal a heartwarming story as she fumbles to repair the friendships she’s neglected, strike up a relationship via a matchmaking service, and connect with her summer housemate. Cullen, the author of The Last Summer Sister (2021) enlivens a classic beach-read plot with a quick wit, a knack for drawing complicated family relationships, and contemporary flair. Each of the three main characters is fully drawn and warm; despite their flaws, readers will root for them. Alyssa is a compelling antagonist, but one wishes for more scenes with her. Supporting players are less well defined, though; bartender Tucker disappears halfway through the novel, and boyfriends exist only peripherally. However, the book’s representation of neurodivergent characters and queer relationships is well crafted and refreshing.

An engaging summer read, full of wit, charm, and drama.

Pub Date: March 26, 2022

ISBN: 978-0-578-28058-5

Page Count: 324

Publisher: Lime Street Press

Review Posted Online: June 15, 2022

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I WHO HAVE NEVER KNOWN MEN

I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').

Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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LOST SOULS MEET UNDER A FULL MOON

A touching novel about loss with a magical and mystical flourish.

A young man helps the living and dead meet one last time under the full moon.

Japanese bestseller Tsujimura’s quiet novel follows a mysterious teenager known as the go-between, who can set up meetings between the living and the dead. An introverted woman wants to meet the television star with whom she has a parasocial relationship. A cynical eldest son hopes to visit his mother about their family business. A devastated high schooler fears she is responsible for her friend’s tragic death. And, finally, a middle-aged workaholic finally feels ready to find out if his fiancée, who disappeared seven years ago, is dead. Each character has a uniquely personal reason for seeking out the deceased, including closure and forgiveness, as well as selfishness and fear. Imbued with magic and the perfect amount of gravitas, there are many rules around these meetings: Only the living can make requests and they can only have one meeting per lifetime. Additionally, the dead can deny a meeting—and, most importantly, once the dead person has met with a living person, they will be gone forever. With secrets shared, confessions made, and regrets cemented, these meetings lead to joy and sorrow in equal measure. In the final chapter, all of these visits—and their importance in the go-between’s life—begin to gracefully converge. As we learn the go-between’s identity, we watch him struggle with the magnitude and gravity of his work. At one point, he asks: “When a life was lost, who did it belong to? What were those left behind meant to do with the incomprehensible, inescapable loss?” Though the story can be repetitive, Tsujimura raises poignant and powerful questions about what the living owe not only the dead, but each other; and how we make peace with others and ourselves in the wake of overwhelming grief.

A touching novel about loss with a magical and mystical flourish.

Pub Date: Aug. 26, 2025

ISBN: 9781668099834

Page Count: 272

Publisher: Scribner

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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