Next book

AN UPPER WEST SIDE STORY

An entertaining novel that nicely captures the hopes and dreams of four young professionals in New York City.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Four New Yorkers in their 20s build relationships and careers in Cullen’s novel.

In 2004, Jessica returns home to find her boyfriend in a compromising position with another woman. She laments the relationship, especially since the two were planning to move in together. Rent is sky-high on the Upper West Side, but Jessica gets a tip about a two-bedroom unit, with the roommate’s share at $1200 per month. The leaseholder is Robin, an assistant brand manager for Victoria’s Secret skincare. She invites Jessica to look at the place, but another person beats her to the punch: Tory, a trust fund baby who still lives at home with her warring parents. They have altered the trust to give her less money, so she needs the relatively affordable rent, as her publishing assistant job pays next to nothing. Jessica, learning that she won’t get the apartment, bursts into tears and meets Zach, who lives down the hall. He is riding high with his job at Expedia, but he invites her to be his roommate. She moves in, and it’s not long before he makes a move romantically and she considers moving back to her native Sonoma for good. The author gives equal time to her four protagonists, and fills each of their stories with enough complexity to make their busy lives enjoyable to read about (Jessica on her graphic design job: “some power-hungry Harvard MBA comes in at the last minute, tweaks one of the charts, and takes credit for ninety pages of my work. Then I come back the next day and do it all over again”). The narrative is laser-focused and the writing self-assured, with the interconnected stories making room for a few gratifying surprises. With four revolving narrators, distinctions between them are key, and the voice of Robin could have been made less generic. Yet Cullen has a terrific ability to evoke the milieu and write about that age when everyone is so busy and everything feels so pivotal.

An entertaining novel that nicely captures the hopes and dreams of four young professionals in New York City.

Pub Date: July 6, 2023

ISBN: 9798986383033

Page Count: 340

Publisher: Lime Street Press

Review Posted Online: July 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 238


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 238


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

HOLLYWOOD, ENDING

A classic Green portrait of young love…but here the fault is in our social media.

A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.

“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?

A classic Green portrait of young love…but here the fault is in our social media.

Pub Date: Sept. 22, 2026

ISBN: 9780525426073

Page Count: 304

Publisher: Dutton

Review Posted Online: Sept. 4, 2026

Kirkus Reviews Issue: today

Close Quickview