An engaging summer read, full of wit, charm, and drama.
In Cullen’s novel, three women summering in the Hamptons find their idyllic vacations to be more complicated than they’d bargained for.
In chapters told from alternating perspectives, readers come to know Megan and Courtney, two recent college graduates fleeing the fallout from their respective romantic relationships, and Nora, a newly divorced, self-made millionaire who’s reeling from the recent sale of her company. The three start off as strangers and are slowly drawn into one another’s orbits, making an unlikely but amiable trio. For much of the novel, the details of the relationships that drove Megan to accept an invitation from her former stepmother to stay in her Westhampton Beach guesthouse, and Courtney to stay with college acquaintance Alyssa, are unclear, but this mystery creates a deliciously intriguing atmosphere against the posh backdrop. Courtney finds herself increasingly alienated from Alyssa and her posse; unlike the artsy, subdued young woman she knew at school, Alyssa now cares only for partying and drugs (“I’m increasingly aware that ‘Summer Alyssa’ isn’t quite who I bargained for”). Then, Alyssa’s true focus on Courtney’s ex-boyfriend become clear. Soon enough, both Megan’s and Courtney’s relationships catch up with them, resulting in a loosely strung love triangle, malicious lies, and miscommunications. Nora’s chapters, while less immediately gripping, slowly reveal a heartwarming story as she fumbles to repair the friendships she’s neglected, strike up a relationship via a matchmaking service, and connect with her summer housemate. Cullen, the author of The Last Summer Sister (2021) enlivens a classic beach-read plot with a quick wit, a knack for drawing complicated family relationships, and contemporary flair. Each of the three main characters is fully drawn and warm; despite their flaws, readers will root for them. Alyssa is a compelling antagonist, but one wishes for more scenes with her. Supporting players are less well defined, though; bartender Tucker disappears halfway through the novel, and boyfriends exist only peripherally. However, the book’s representation of neurodivergent characters and queer relationships is well crafted and refreshing.
An engaging summer read, full of wit, charm, and drama.Pub Date: March 26, 2022
ISBN: 978-0-578-28058-5
Page Count: 324
Publisher: Lime Street Press
Review Posted Online: June 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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