A vivid, sensory tour of the shifting landscapes of blindness and teen relationships.

BLIND

With traces of John Green’s Looking for Alaska (2005), DeWoskin’s first teen novel explores death and darkness.

Blinded in a fireworks accident, Emma Silver has finally learned to find “shorelines” with her white cane and identify her six wildly different siblings by their breathing. Her rehabilitation is meticulously described, from learning to decipher braille to containing her panic. She’s spent a year she’d rather forget at the Briarly School for the Blind trying not to be a “poor blind kid” and finds the world has changed again upon return to her insular hometown: Claire Montgomery, a former classmate, is found drowned in an apparent suicide. As much to explore her fears after blindness as to talk about Claire’s death, she leads a group of somewhat two-dimensional classmates in philosophical discussions but feels—literally and figuratively—her best friend growing distant. Emma’s poetic, sensory narration heightens the typical teen angst of sex, cliques and growing apart. Flashbacks to her year at Briarly flesh out her frustration and fear of embracing a blind identity while raising hopes of an active life as a blind person. Her increasing bravery parallels new understanding of her siblings and friends, and here the disability-as-metaphor trope actually works—“Going blind is a little bit like growing up.”

A vivid, sensory tour of the shifting landscapes of blindness and teen relationships. (Fiction. 14-18)

Pub Date: Aug. 14, 2014

ISBN: 978-0-670-785223

Page Count: 416

Publisher: Viking

Review Posted Online: June 10, 2014

Kirkus Reviews Issue: July 1, 2014

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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