A complex and tightly wound thriller that’s likely to appeal to fans of the series.
An art historian explores her late father’s mysterious past with the aid of an attractive soldier in Grant’s romantic suspense novel.
Six months ago, Dr. Kira Hanson was abducted by a terrorist group and rescued by Lt. Cmdr. Rand Fallon of the U.S. Navy SEALs. Now, Rand is still thinking about her, and by chance, he runs into her again on a naval base in Virginia, where she’s teaching classes to military personnel about interacting with artifacts while deployed overseas.He tried to contact her shortly after her rescue, but an anonymous person intercepted her email and told him to leave her alone; Kira thinks that it was her recently deceased father, who had a shady past. Rand asks her out, but she turns him down, as she’s about to leave for Malta as part of her investigation into the criminal activity in which her father was involved. Then an active shooter somehow gets on base, and it soon becomes clear he’s looking for Kira. Rand takes him down, but the assassin’s motives remain murky. Before long, Rand and Kira are in Malta together, digging into the many mysteries surrounding her dad. This is the third book in Grant’s thriller series; it mostly works as a stand-alone work, but newcomers will feel that some context is missing, particularly for a few of the secondary characters. The suspense is well executed, and the Maltese setting is vividly described: “The heat of the day had lessened as they entered evening hours, but the sun wouldn’t set for another hour and a half, so it was far from cool, and this part of the city lacked the Mediterranean breeze.” The romance plot feels a bit formulaic, but the main characters are likable enough for readers to root for them.
A complex and tightly wound thriller that’s likely to appeal to fans of the series.Pub Date: July 19, 2024
ISBN: 9781944571740
Page Count: 490
Publisher: Janus Publishing
Review Posted Online: July 30, 2024
Review Program: Kirkus Indie
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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