Harrison has earned a place among a vanguard of women reinventing horror that includes Mona Awad and Julia Armfield.
Harrison turns her attention from vampires and werewolves to the ghosts of childhood trauma.
Stylist and fashion influencer Clio Barnes has been estranged from her mother for years, as have her sisters. When their mother dies, she leaves her house to Leda, Daphne, and Clio. The elder two want nothing to do with the house, but Clio has visions of renovating the place, turning her DIY into content, and flipping it for a profit. One more detail: The house is possessed by a demon. In So Thirsty (2024), Harrison wrote a book about vampires that was also a novel about best friends trying to figure out what to do with their lives. Here, Harrison mines the potential of the haunted house to excavate the abuse that Clio and her sisters suffered as children. Clio is a terrific protagonist. She’s sharp and funny and a little less self-aware than she thinks she is. As she tries to reconcile her own memories with those of her family—including her mother, who left behind an annotated copy of the book she wrote about living in a demon-plagued split-level in the suburbs—and questions her own sense of reality, Clio unravels. But it’s a necessary unraveling, the kind of annihilation that makes real change possible. This novel delivers truly chilly scenes while also exploring the emotional depths that make horror meaningful. There’s a climactic scene at a family barbecue where Clio sees echoes of her mother in herself, Leda, and Daphne and thinks, “Her ghost is us.” There are many emotionally devastating moments in this novel, but this one captures the essence of them all. Harrison knows that we are, all of us, haunted.
Harrison has earned a place among a vanguard of women reinventing horror that includes Mona Awad and Julia Armfield.Pub Date: Sept. 9, 2025
ISBN: 9780593642580
Page Count: 332
Publisher: Berkley
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A deliciously dramatic look at how one woman’s past influences her future.
A happily engaged woman is pulled back to her hometown—and her first love—when tragedy strikes.
Billie Wright is living her dream, running a thriving fertility clinic in New York City and engaged to a wonderful trauma surgeon named Dean. Her happily-ever-after meant giving up her life in Wisconsin, where she left behind many friends as well as her high school sweetheart, Mick. Although they’d been deeply in love, when Billie’s ambition pulled her away from home and toward the city, Mick couldn’t handle either the distance or her busy schedule. Billie has finally moved on from that heartbreak—but then she receives a phone call from Mick, the first communication between them in years. Her best friend, Erin, died in a car accident, leaving behind an 11-year-old daughter, Phoebe. Now Billie must return home to help sort Erin’s affairs and provide some kind of comfort to Phoebe while grieving the loss of her best friend. Of course, being back home also means being in close contact with Mick. Their feelings for each other may not have ever gone away, and their proximity leads to big decisions for Billie. Can she ever reconcile her current life in Manhattan with her past in Wisconsin? And which one will be her future? Giffin knows how to do drama, and she ratchets up the stakes with every page as she continues to reveal new obstacles for Billie. The ending wraps up quite neatly, but the nostalgia-filled ride is full of twists and turns that will keep readers flipping the pages.
A deliciously dramatic look at how one woman’s past influences her future.Pub Date: July 7, 2026
ISBN: 9780593600320
Page Count: 336
Publisher: Ballantine
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
SEEN & HEARD
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