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RECKLESS GIRLS

A soapy, claustrophobic page-turner.

Beautiful, rudderless 20-somethings find trouble in paradise.

San Diego waitress Lux McAllister has led a joyless existence since quitting college to care for her dying mother, so when hunky customer Nico Johannsen invites her to sail the seas with him aboard his new boat, the Susannah, she accepts. They arrange to rendezvous in Hawaii after Lux ties up some loose ends, but when she gets off the plane, she learns the vessel sustained damage en route. Nico can’t afford the repairs, so rather than living aboard the Susannah as planned, the pair starts crashing in a cramped house with four other people while Lux cleans hotel rooms to make ends meet. When adventure-seekers Brittany and Amma, both 22, offer Nico $50,000 to rent a boat and take them to Meroe Island—an uninhabited Pacific atoll with a gruesome history—Lux extends a counteroffer: pay to fix the Susannah, and the four of them will spend two carefree weeks exploring the place together. Though the voyage proves harrowing, Meroe is stunning, and they bond instantly with wealthy, hedonistic fellow travelers Jake and Eliza, whose catamaran is in the harbor when they arrive. As the days stretch on, however, tension mounts, and the group’s idyllic existence takes a dark turn. Evocative prose and a palpably foreboding atmosphere complement Lux’s present-tense narration, which Hawkins studs with flashbacks exposing the secrets, lies, and betrayals that brought each character to this point. Danger and interpersonal drama abound, with a slew of outrageous twists adding to the fun.

A soapy, claustrophobic page-turner.

Pub Date: Jan. 4, 2022

ISBN: 978-1-2502-7425-0

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Nov. 1, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE KEEPER

Great crime fiction.

An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.

In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”

Great crime fiction.

Pub Date: March 31, 2026

ISBN: 9780593493465

Page Count: 496

Publisher: Viking

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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