Like a drop of rain that holds the reflection of the world, crystalline and beautiful.
A fearful, tender, unexpectedly gifted boy in a Singapore fishing village finds that his fate is inextricably wound with that of his community.
"Decades later, the kampong would trace it all back to this very hour, waves draining the light from this slim, hungry moon." So begins Heng's second novel, a story scaffolded against a sweeping backdrop—the politics of colonialism, World War II in Southeast Asia, ecology, the inexorable forces of development and modernization—with very little of that ever mentioned, instead focusing on the experiences of the characters in language of perfect simplicity. It begins in 1941, when the territory of Singapore is “still governed by the Ang Mohs as it had been for the past century.” A small boy named Ah Boon goes out fishing with his Pa and somehow intuits the location of a mysterious island where the fish run denser than their nets can carry. This is the watershed hour referred to in the opening sentence, and its immediate effects are wholly positive. "While previously they’d subsisted on thin gruel with sweet potato, stringy bean sprouts, and the occasional scrawny chicken, now they feasted, day and night, on fish. They steamed them with ginger and freshly cut chilies; they chopped them up and sautéed the pieces with fragrant sambal, they fried them till the fins grew crispy, a delicious treat for the children." Meanwhile, Ah Boon has become close with his brilliant schoolmate Siok Mei, who was virtually orphaned when her parents left the country for political reasons but now shares with Ah Boon many idyllic days of childhood. The good times screech to a halt when war arrives and the Japanese occupation begins. After upheavals and tragedies, the story moves into the postwar period, when the Gah Men (as the people who run the country are known) begin a massive earth-moving project to reshape the coastline. Here Ah Boon's unique relationship to the landscape will again play a critical role even as he dons the white shirt and white pants and round, wire-rimmed glasses of a Gah Man. Heng's development of this character is absolutely brilliant and deserves wide notice.
Like a drop of rain that holds the reflection of the world, crystalline and beautiful.Pub Date: March 28, 2023
ISBN: 9780593420119
Page Count: 464
Publisher: Riverhead
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
