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SCANTY PARTICULARS

THE SCANDALOUS LIFE AND ASTONISHING SECRET OF JAMES BARRY, QUEEN VICTORIA’S MOST EMINENT MILITARY DOCTOR

A fascinating depiction of the Victorian era that fails to capitalize on its most salient detail.

An intriguing if ultimately disappointing life of a 19th-century doctor who concealed his sexual identity while modernizing medicine in the British Empire.

Freud would have had a field day with James Barry. A fatherless dandy, he depended throughout his life on male protectors to smooth over the controversies sparked by his pugnacity. These older men helped him graduate from Edinburgh University and shielded him from enemies when he was a military doctor with postings around the globe. His detractors scored points, however, once accusing him of having a homosexual relationship with Lord Somerset, his boss in South Africa. After that scarring incident, Barry became a more colorful and abrasive character, seen always with a large black manservant and a little dog named Psyche. He also became such an egotist that one pungent anecdote here shows Barry scolding Florence Nightingale for not properly running a military hospital. Because he was so brilliant—he performed, for example, one of the first successful caesarean sections in modern history—higher-ups in the military always gave him a wide berth. Not until the very last chapters does British journalist Holmes start explaining exactly what Barry’s secret was. Then the reader suddenly connects the dots between Barry’s odd manners, his fascination with hernias, his work with sexually transmitted diseases, and his particularity in regard to living conditions. Employing a mystery writer’s device in a biography can be annoying, however, when the possible conclusion hasn’t been telegraphed earlier on. Here, the punch line comes completely out of the blue, undercutting all that came before. A pity, because Holmes weaves her tale well enough to hold the reader until then.

A fascinating depiction of the Victorian era that fails to capitalize on its most salient detail.

Pub Date: Jan. 14, 2003

ISBN: 0-375-50556-3

Page Count: 368

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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