by Rachel Isadora & edited by Rachel Isadora ‧ RELEASE DATE: Oct. 5, 1995
A delightful encore performance for the charming heroine of Lili at Ballet (1993), in which Isadora once again conveys a love of dance and a genuine familiarity with the myriad details of practice and performance. Lili will capture the dreams of countless young balletomanes as she arrives at the theater to prepare for her debut as a party guest in The Nutcracker (a summary of which Isadora provides in an author's note). The backstage secrets and practical instructions will captivate readers: ``No speaking on stage. Never count the beats out loud. Don't scratch your nose. The audience sees everything.'' For the performance, Lili and a multiracial group of young dancers warm up, apply makeup and costumes, wait for cues, perform, receive applause, and enjoy the ballet themselves from their unique vantage point. Throughout, Isadora adds her signature soft pencil sketches washed in pastel- toned watercolors. The atmosphere crackles and the book delivers as much enchantment as the ballet itself. (Picture book. 4-8)
Pub Date: Oct. 5, 1995
ISBN: 0-399-22637-0
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
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by Josh Funk ; illustrated by Sara Palacios ‧ RELEASE DATE: May 15, 2018
An accessible introduction to coding rules that also easily entertains.
A girl named Pearl programs a (rust-proof) robot to help her build sand castles in this new addition to the Girls Who Code organization’s book program.
The last day of summer vacation is Pearl’s last chance to build a sand castle. All her prior attempts have fallen victim to comic mishaps (such as a “moat” contributed by dog Ada Puglace). For backup, she brings her robot, Pascal, with whom she breaks down the full task—building the sand castle—into small problems: finding a place to build via specific instructions, gathering sand via a sequence (and more efficiently with a loop), and decorating the castle via an IF-THEN-ELSE statement. After she works out the kinks, the oncoming tide throws Pearl for a new loop—literally, as she reuses her previous computer code while adding a moat feature to handle the tide. The cheerful mixed-media illustrations and warm color palette fit both the subject matter and the can-do spirit of the book. The computer science terms are demonstrated in clear, concise ways, allowing them to be mined for humor (such as Pascal’s attempts to place the sand castle in unsuitable places until Pearl learns to be very specific), and serve the story without feeling obtrusive or too much like lessons. The backmatter gives fuller explanations of the terms. Pearl has brown skin and textured, black pigtails, and the other beachgoers are racially diverse.
An accessible introduction to coding rules that also easily entertains. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-425-29198-6
Page Count: 44
Publisher: Viking
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Valerie Bolling ; illustrated by Maine Diaz ‧ RELEASE DATE: March 3, 2020
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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