A first-rate page turner that leaves its own compelling afterimage.

STRANGER

Yes, it’s another post-apocalyptic series opener, but it’s infused with a generous spirit—call it a utopian dystopia.

The small, walled community of Las Anclas bears little resemblance to Los Angeles, whose ancient ruins sprawl nearby. To Ross, a badly wounded prospector fleeing a powerful enemy, it’s paradise compared to what he’s used to—to its residents, not so much. Yuki misses the freedom of the wild ocean and dreams of escaping with Paco. Engineer Mia loves blowing things up, but she feels socially awkward. Felicité, the daughter of the mayor and defense chief, knows precisely what she wants: to make half of a power couple with Indra, Jennie’s boyfriend. Jennie herself is delighted to be chosen as a Ranger, the town’s elite defense corps; she’d feared that prejudice against the Changed, people like her who’ve acquired strange powers, made her a long shot. Mia and Jennie, best friends, find themselves attracted to secretive Ross. Characterization is rich and stereotype-free. For gays and lesbians, sexual orientation is neither more nor less a defining characteristic than it is for heterosexuals. Equally exceptional is the depiction of conflict. The confusing adrenaline rush of war is followed by PTSD, its lingering afterimage. The five dynamic narrators and action-packed plot deliver thrills while slyly undermining genre clichés.

A first-rate page turner that leaves its own compelling afterimage. (Science fiction/fantasy. 13-18)

Pub Date: Nov. 13, 2014

ISBN: 978-0-670-01480-4

Page Count: 432

Publisher: Viking

Review Posted Online: Aug. 20, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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