An interesting and surprising look at a classic story and an often-forgotten character.
In her debut, Parris imagines what Pride and Prejudice character Charlotte Lucas’ life might have been like after her marriage to Mr. Collins.
Charlotte is known to readers as Elizabeth Bennet’s best friend from Pride and Prejudice. Unlike Elizabeth, who marries for love, Charlotte is not quite so lucky. She marries Mr. Collins, the stable but slightly awkward clergyman she describes as “tall, dark, and…pious.” Charlotte knows her prospects are slim, and she’s determined to marry well to provide a future for herself, even if that future doesn’t involve passion. With Mr. Collins as her husband, Charlotte lives a life that is safe and calm—but unexciting. While Mr. Collins treats her well, their relationship never feels particularly romantic. And then Charlotte meets Col. Fitzwilliam, Mr. Darcy’s cousin. Sparks fly instantly, and soon Charlotte finds herself sneaking around to spend more time with Fitzwilliam. Their attraction shouldn’t grow into a full-blown love story for many reasons, chief among them Charlotte’s marriage. That doesn’t stop them from developing feelings that may very well lead to heartbreak. A happily-ever-after seems nearly impossible, and to be sure, not every character here will end up happy, which may be a point of contention among some Pride and Prejudice fans. Staunch Austenites might blanch at this depiction of the characters they’ve come to love, although the book will be welcome to others who longed to see Charlotte take center stage and find her own happiness. It’s also satisfying to read the inner thoughts of Mr. Collins and come to view him a less mockable character. Parris gives Charlotte’s quest for happiness a more modern romance-novel feel than the original text—for example, Charlotte defends her feelings for Fitzwilliam by saying, “If God made me capable of love, then it must be his will that I find it.” While some of the characters’ actions may seem surprising, there have been enough Pride and Prejudice retellings that there’s plenty of room for one where Charlotte follows her bliss.
An interesting and surprising look at a classic story and an often-forgotten character.Pub Date: Nov. 4, 2025
ISBN: 9780316602358
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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