by Rachel Qitsualik-Tinsley & Sean Qitsualik-Tinsley ; illustrated by Yong Ling Kang ‧ RELEASE DATE: Jan. 28, 2020
Ably demonstrates to young readers the value of doing a difficult but important job.
When Tanna’s father brings a lone baby owl to their home, Tanna discovers how much work it is to care for it.
One summer, Father returns from a hunting trip with an abandoned baby owl that needs care. Even though “it’s somehow cute,” Tanna is not impressed, particularly when she has to get up before dawn to catch lemmings for the owl to eat. Inside the house Tanna also has to line the floor with newspapers because Ukpik, as she names the owl, poops often. As time goes by, Ukpik demands more and more food, and Tanna and her siblings grow tired of catching lemmings as it grows and loses its cuteness. When summer ends, Tanna has to go away to school, and although she worries about the unfledged owlet, she is “happy not to get up at 4:00 a.m.” When she returns home the following summer, Tanna is in for a big surprise. The heartwarming text is based on Rachel Qitsualik-Tinsley’s (Inuit-Cree) own childhood experiences, according to an opening note, including a stint in residential schools that is mentioned only glancingly in the story. (Sean Qitsuallik-Tinsley is of Scottish-Mohawk descent.) The backmatter gives readers more information about the authors and includes Inuktitut pronunciation guidance. Kang’s use of a soft, muted palette pairs well with the text to make the story come alive for readers.
Ably demonstrates to young readers the value of doing a difficult but important job. (Picture book. 5-8)Pub Date: Jan. 28, 2020
ISBN: 978-1-77227-250-5
Page Count: 32
Publisher: Inhabit Media
Review Posted Online: Jan. 20, 2020
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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