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ALICE IN WONDERLAND HIGH

Leave this novel at the bottom of the rabbit hole.

The beloved children’s classic is reimagined as a teen treatise on environmental activism.

After Alice’s parents die in a car accident on the way to protest farmland rezoning in Wonderland, Illinois, she vows to keep their ideals alive by staging her own actions. After a failed solo attempt to steal school letterhead and donate it to the recycling center, Alice decides to join forces with a vigilante eco-group whose members resemble the White Rabbit, Mad Hatter and Cheshire Cat. Together, they vandalize private property and homes in the name of environmentalism, rescue a pig from experimentation, and investigate why Wonderland township is forcing family farmers off their land and building housing complexes. At least, that’s what they seem to be investigating. The overwritten prose is so densely populated with self-conscious similes and metaphors it is often difficult to follow the convoluted plot. Far too many actions and statements are repeated in greater detail in the following paragraph, to the point where readers may feel they’re being told over and over what just happened. Finally, the author is so busy making the characters painfully and obviously conform to their literary counterparts that any spark of personality or characterization is squashed. What is left is a message-y, cliché-ridden mishmash that neither breaks new ground nor pays homage to its inspiration. 

Leave this novel at the bottom of the rabbit hole. (Fiction. 10-13)

Pub Date: April 18, 2015

ISBN: 978-1-4405-8466-4

Page Count: 304

Publisher: Merit Press

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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I AM NUMBER FOUR

From the Lorien Legacies series , Vol. 1

If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)

     

 

Pub Date: Aug. 17, 2010

ISBN: 978-0-06-196955-3

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones.

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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