THE FLUTE

Name: THE FLUTE
Author: Rachna Gilmore
ISBN: 978-1-896580-57-9

by Rachna Gilmore & illustrated by Pulak Biswas ‧ RELEASE DATE: Feb. 15, 2012

The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to...

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With elements reminiscent of many different stories, this original tale features a beloved young girl named Chandra (moon in Hindi) who loses her parents in a terrible flood during monsoon season.

The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to work hard. Her only pleasure is playing her mother’s flute, put into her hands as her parents saved her from the raging river, but her cruel relatives take the little instrument. Chandra, who never loses hope, hears the flute and begins to find a daily meal of rice, lentils and eggplant. As everyone else starves during the drought-ridden season, she is accused of using “unholy magic,” and her uncle purposely pushes her into the next monsoon’s floodwaters. Miraculously, the flute sounds again, and the girl follows its sound until a rope pulls her to safety and into the hearts of a new set of loving parents. The dramatic illustrations create a strong, rural south Indian setting, with their quick black lines, almost-solid black bodies and bold use of red and blue, with just a hint of yellow for the moon. A traditional tale’s comeuppance for (and possible forgiveness of) the evil relatives is missing here, though, resulting in a narrative that feels incomplete.

Pub Date: Feb. 15, 2012

ISBN: 978-1-896580-57-9

Page Count: 32

Publisher: Tradewind Books

Review Posted Online: Jan. 8, 2012

Kirkus Reviews Issue: Jan. 15, 2012

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
MAKING GRIZZLE GROW
by Rachna Gilmore & illustrated by Leslie Elizabeth Watts

- BOOK REVIEW
A GROUP OF ONE
by Rachna Gilmore

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THE GIRL WHO LOVED WILD HORSES

by Paul Goble ‧ RELEASE DATE: Aug. 1, 1978

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There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses. The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance. But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him. Goble tells the story soberly, allowing it to settle, to find its own level. The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight. 6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
RED CLOUD'S WAR
by Paul Goble ; illustrated by Paul Goble ; introduction by Robert Lewis

- BOOK REVIEW
ALL OUR RELATIVES
by Paul Goble & illustrated by Paul Goble

- BOOK REVIEW
SONG OF CREATION
by Paul Goble & illustrated by Paul Goble

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THOSE BUILDING MEN

by Angela Johnson & illustrated by Barry Moser ‧ RELEASE DATE: Feb. 1, 2001

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Vague text and anemic pictures make this at best a half-hearted tribute to the construction workers of the last century or so. In her brief, poetic text Johnson writes of “those shadowy building men . . . moving the earth to connect water,” of “railroad workers . . . who were there to connect all.” She continues: “As buildings tower above us / they tell the tales / of the cities . . . They whisper down past it all and say, / ‘They built us, your fathers . . .’ ” There is little here to engage child readers, either intellectually or emotionally, and Moser’s remote, indistinct portraits of ordinary-looking men (only men) dressed in sturdy working clothes and, mostly, at rest, only intermittently capture any sense of individual or collective effort. In evident recognition of these inadequacies, a prose afterword has been added to explain what the book is about—a superfluous feature had Moser and Johnson produced work up to their usual standards. Let readers spend time more profitably with the likes of John Henry or Mike Mulligan. (Picture book. 6-8)