by Rafi Zabor ‧ RELEASE DATE: Oct. 12, 2005
A frenetic example of pinball prose that will frustrate many.
A rambling, disjointed, sometimes amusing memoir about a car trip to Turkey and Israel that will apparently not conclude (or even truly commence) until the second volume of this planned four-volume work appears.
Zabor’s bizarre, well-received 1997 novel, The Bear Comes Home, paves the way for this dilatory tale. The idea for this book’s title came to Zabor after someone told him that “Africans” call people who drive Mercedeses “Wabenzi,” and since he plans to buy one, he concludes that he’s a member of that august clan. Early on, he tells of the disturbing deaths of his parents, narratives that he interrupts with flashbacks to his youth and with truly magical stories about his powerful Polish uncle, whose prodigious strength dazzles the author (the elderly man once defeated, with ease, a young and ripped arm-wrestling champ). Zabor makes some shocking discoveries, most notably that his mother thought she had aborted him. He also explores some of his failures, including the time, as a young man, that he arranged for a girlfriend’s abortion; the fetus was five months old. The author—slowly, slowly—leaves New York and heads to England, where he catches up with friends he’s known since the 1970s. He interweaves these recent English escapades with memories from 30 years earlier, including the long, dull closing portion (well over 100 pages) that relates his experiences at a spiritual retreat. These pages sometimes read like an unintentional self-parody. Zabor’s language vacillates between the effusive (some sentences exceed 200 words in length) and the minimalist, the sublime and the banal.
A frenetic example of pinball prose that will frustrate many.Pub Date: Oct. 12, 2005
ISBN: 0-86547-583-0
Page Count: 480
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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by Rafi Zabor
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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