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THE DARK INTERVAL

LETTERS ON LOSS, GRIEF, AND TRANSFORMATION

A slim, mildly intriguing glimpse into Rilke’s daily life.

A collection of never-before-published letters by the renowned poet.

“What can you say in the face of loss, when words seem too frail and ordinary to communicate our grief and soothe the pain?” asks translator and editor Baer (German and Comparative Literature/New York Univ.; We Are But a Moment, 2017, etc.). The letters included in this brief but dense collection grapple with this crucial question. Taken from correspondences that Rilke had with friends, relatives, and acquaintances in light of the deaths of various individuals, these letters provide a space for ruminations and a careful study of our relationship to death. In each letter, Rilke addresses the death of the person in question, but he also uses it as a steppingstone to offer his own perspective on the ways in which humans are conditioned to die: “I think that the spirit cannot make itself so small that it concerns nothing but our existence in the here and now: Where it rushes toward us, we are both the living and the death.” More interestingly, the letters offer windows into daily life between 1908 and 1925, pointing out the many mundane events that punctuated Rilke’s life—e.g., a spa treatment he received—as well as the emotional toll his poetry was taking on his letter-writing abilities. Though these letters are an important contribution to Rilke’s archive, they don’t offer enough context for general readers to truly latch onto them. For those knowledgeable about Rilke’s work, these letters will serve as fresh reading material, new modes of understanding his practice, and demonstrations of his thinking about writing and existence (“we have been tasked with nothing as unconditionally as learning on a daily basis how to die”). But for those just now discovering his work, the letters might serve as a disservice to the colossal beauty of his poetry.

A slim, mildly intriguing glimpse into Rilke’s daily life.

Pub Date: Aug. 14, 2018

ISBN: 978-0-525-50984-4

Page Count: 108

Publisher: Modern Library

Review Posted Online: May 6, 2018

Kirkus Reviews Issue: June 1, 2018

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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