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SWEAT THE TECHNIQUE

REVELATIONS ON CREATIVITY FROM THE LYRICAL GENIUS

Not without flaws but an insightful firsthand account of hip-hop’s vanguard.

Reflections on a life of artistic commitment during hip-hop’s golden age.

“I wasn’t trying to become a rapper, I just enjoyed doing it,” writes Rakim in his debut memoir. From his first exposure to hip-hop as a boy to being universally recognized as a contender for the greatest MC of all time, Rakim makes his love of rap manifest throughout the book. Whether rapping “from 10 in the morning to midnight, every day,” or refusing to change his style to meet the approval of Marley Marl or Dr. Dre, he presents himself as deeply committed to the art of rap. His experience crafting lyrics transfers nicely to prose; the narrative is reflective in the way of good memoir and revelatory in the way of good reportage. The scenes from Rakim’s childhood are especially vivid and establish him early on as the smart and fiercely independent person his fans would come to know through his music. One consequence of that independence has been the number of people he has been at odds with over the course of his career. Ever the competitor, Rakim uses the book as a chance to settle scores with seemingly every rapper of his era other than Tupac, for whom he has only respect. About his longtime collaborator Eric B., he writes, “I’m really hip-hop and Eric really wasn’t….I think deep down, Eric wanted to be an R&B singer.” The book wavers when the author turns didactic or lets sections of lyrics and commentary interrupt the narrative. Readers gain so much from Rakim’s story and his insights into artistry that the moments of didacticism—e.g., “if it’s your first tour, be prepared for the unique variety of challenges that come with being a rap artist”—become grating. The author’s lyrics, as groundbreaking as they were, don’t read as well as they sound in Rakim’s voice, nor do they add to what the book otherwise does so well: tell the personal story of one of hip-hop’s greatest icons.

Not without flaws but an insightful firsthand account of hip-hop’s vanguard.

Pub Date: Sept. 24, 2019

ISBN: 978-0-06-285023-2

Page Count: 256

Publisher: Amistad/HarperCollins

Review Posted Online: Aug. 25, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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