by Ralph Fletcher ‧ RELEASE DATE: July 3, 2012
Encouragement and instructive pointers in a package guy writers will enjoy.
Guys love writing as much as they love reading...when they can do their own thing.
Writer and writing instructor Fletcher offers a new writing guide with advice aimed squarely at boys. Most guys love to write, but they might not love writing what is expected of them at school. Fletcher starts by letting guy writers know that they are far from alone. He lets guy writers know it's OK to write what they love: humor, grossness, battles, fantasy and horror. And he counsels guy writers on how to talk with their teachers about writing what they love to satisfy assignments. Along the way Fletcher peppers the text with general writing tips and suggestions for ways to make all types of writing stronger and more enjoyable (for the writer and readers). There are interviews with adult writers for guys, in which the likes of Jon Scieszka, Robert San Souci and Robert Lipsyte all talk about their writing process. The black-and-white illustrations come from real (young) guy writers as do many of the writing samples. The final two tips—keep a journal and read to improve your writing—deservedly get their own chapters. Fletcher even includes a reading suggestion for each type of guy writing.
Encouragement and instructive pointers in a package guy writers will enjoy. (Nonfiction. 8-12)Pub Date: July 3, 2012
ISBN: 978-0-8050-9404-6
Page Count: 176
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: May 15, 2012
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Nikki Grimes ‧ RELEASE DATE: Sept. 1, 2013
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)
In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.
Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)Pub Date: Sept. 1, 2013
ISBN: 978-1-59078-985-8
Page Count: 96
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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