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HIDE & SEEK

A JACK CROCKER, JIMMY MCGUIRE MYSTERY

Addicting characters and gadgets.

A man’s new Dallas PI business becomes personal when someone abducts a loved one in Langer’s (Personal Verdict, 2011) thriller.

Jack Crocker can’t cope with his PTSD from the Gulf War and his time in Iraq. His struggle with alcohol is the reason his wife, Crystal, is seeking a divorce, and it indirectly caused the accident that crippled his young son. Remedying his mistakes starts with opening C&M Investigations, a PI agency, with his nephew (and former Marine) Jimmy McGuire. At first, business is slow, but things heat up when Meredith Thomas, the personal assistant to the CEO at Templeton Corporation, hires the duo to sleuth out who tried to run her over in the company parking lot. It only escalates from there: Meredith seems to be hiding from someone dangerous, and an employee at Templeton Corporation turns up dead. Then one of Jack’s family members is kidnapped to warn him off the case; now Jack just needs to figure out which case. Though the mystery takes a while to begin (Meredith appears about one-third of the way in), Langer fully develops his cast. Jack and Jimmy, for example, swap stories: Jack tells of inadvertently injuring his son, while Jimmy recalls a horrific experience in Afghanistan. But the character development also helps set up the story for later, more suspenseful sequences, like Jack getting little help from local police when he needs it. The book ultimately leads to an exhilarating scene in which Jack and Jimmy track down the mysterious abductors, who not only threaten his family, but Meredith as well. There are also welcome lighter moments, especially Jimmy’s obsession with gadgets; he puts to good use a Batmobile-esque remote-controlled car mounted with cameras and a recording device disguised as a pen. Langer only falters with his editing, including giving different names and job titles for the same murder victim. The ending, complete with epilogue, offers a thorough resolution.

Addicting characters and gadgets.

Pub Date: July 8, 2014

ISBN: 978-0692240434

Page Count: 336

Publisher: Ralph\Langer

Review Posted Online: Oct. 2, 2014

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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