An often tart yet affecting music memoir.
A usually taciturn folk icon takes an engaging ramble through his six-decade career.
A founding father of the string-band style most call bluegrass, Stanley—who prefers the terms “old-time mountain music” or “the Stanley Sound” to define his work—has never been fond of talking about himself. So this autobiography, penned with the knowledgeable music journalist Dean, is a delightful, outspoken surprise. The 82-year-old singer and banjo player reflects on his Primitive Baptist upbringing in the mountains of southwestern Virginia, where real life sometimes imitated the Gothic themes of the region’s music—his uncle shot and killed his wife and himself. With older sibling Carter, Stanley founded the Stanley Brothers and the Clinch Mountain Boys, one of the first and greatest bluegrass groups, in 1946. He recounts the development of their “high lonesome” sound, their early rivalry and later friendship with Bill Monroe and their harsh life on the road in the ’50s, when rock ’n’ roll threatened to kill off country music. Following Carter’s alcoholism-related death in 1966, Stanley struck out on his own, and he offers fond recollections of such sidemen as his young protégés Ricky Skaggs and Keith Whitley and antic fiddler Curly Ray Cline. It wasn’t until his 2002 Grammy triumph on the soundtrack of O Brother, Where Art Thou? that Stanley finally transcended his status as a genre hero to attain his rightful place in the American music pantheon. Unashamedly old-fashioned, opinionated and prickly, Stanley sometimes lashes out at rivals like the late John Duffey of Washington’s Seldom Scene. He’s at his best recalling his backwoods upbringing, the vicissitudes of the bluegrass road, the murder of one of his lead singers, regional Democratic politics, the power of gospel music and old-time religion and the fast-vanishing South of his boyhood.
An often tart yet affecting music memoir.Pub Date: Oct. 15, 2009
ISBN: 978-1-592-40425-4
Page Count: 320
Publisher: Gotham Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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