Children whose grown-ups do not address the material in the notes with them will be left with a sorely incomplete...
Delia’s papa, Hercules, faces a seemingly insurmountable challenge: how to bake a birthday cake for his master, President George Washington, without sugar?
Food writer Ganeshram applies her considerable expertise to this historical tale of culinary ingenuity. How, exclaims Papa, can the larder be stocked with West Indian nutmeg, Mexican chocolate, African coffee, English cheese, Italian olives, Indian mangoes, and Arabian oils—but no sugar? Fortunately, the president has a taste for honey, and Papa improvises successfully. A full double-page spread is devoted to the preparation and combination of ingredients, presented as a team effort. Every last one of the enslaved kitchen crew is smiling, as they are throughout. Brantley-Newton explains those smiles in the backmatter, noting that the real-life Hercules and his staff evidently took pride in their work for the president: “There is joy in what they've created through their intelligence and culinary talent.” Ganeshram confronts Delia’s and Papa’s bondage on one page, when Delia tells readers proudly that “Papa is the slave President and Mrs. Washington trust the most.” A full-page author’s note goes into detail about Hercules’ life, informing readers that he escaped in 1797, leaving Delia still enslaved. The book is a sorry contrast to Emily Arnold McCully’s The Escape of Oney Judge (2007), which explicitly tells the story of one of Martha Washington’s enslaved servants who took freedom.
Children whose grown-ups do not address the material in the notes with them will be left with a sorely incomplete understanding of both the protagonists' lives and slavery itself. (recipe) (Picture book. 5-8)Pub Date: Jan. 5, 2016
ISBN: 978-0-545-53823-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming illustration of childhood memories during the holiday season.
A colorful wintry tale ushers in Chinese New Year over two weeks.
In this picture book, the narrator recounts with nostalgia an observance of the traditional New Year in rural northern China. The snow-covered village bustles with activity as folks venture out to greet relatives and friends. “On the third day, uncles started giving LANTERNS” refers to an old custom in provincial Shaanxi—especially among maternal uncles. Palpable and immediate are Zhao Di’s eager anticipation and the care with which she “walk[s] through the snow with her lantern in case she slipped or the candle blew out in the wind.” Simple yet vivid close-ups depict Zhao Di and her friends, bundled head to toe and comparing lantern designs—accordion, watermelon, etc.—while braving the cold and a bunch of rowdy boys. All too soon, the 15th day arrives, signaling the end of the New Year celebrations. In a pivotal spread that shows Zhao Di sitting with her dog and chickens, readers are granted an interior view of the architecture and layout of a rustic farmhouse. In addition, the villagers’ various clothing styles, headdresses, and skin tones suggest the region’s diverse ethnicities and socio-economic landscapes. As the story concludes with the obligatory smashing and burning of the lanterns, Zhao Di comforts herself with the hopeful thought of lighting new lanterns next year.
A charming illustration of childhood memories during the holiday season. (author's note) (Picture book. 5-8)Pub Date: Dec. 7, 2021
ISBN: 978-1-5420-2984-1
Page Count: 40
Publisher: Amazon Crossing Kids
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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