A coming-of-age story that’s both singular and universal—an outstanding debut.
A first-time novelist offers a fictional take on her own complex heritage.
Nidali’s Baba is Palestinian. Her Mama is half-Greek and half-Egyptian. In addition to this mixed-up background, Nidali has an American passport and a precociously peripatetic personal history. Born in Boston, Nidali grows up in Kuwait, but her family flees to Egypt during the 1990 Iraqi invasion. By the time she lands in Texas, Nidali has become a seasoned traveler, and, wherever she goes, she carries with her a keen awareness of her inescapable difference. Nidali’s story is shaped by the harsh realities of ethnic division, political uncertainty and war, but it is also, essentially, a typical coming-of-age story. Jarrar is a funny, incisive writer, and she’s positively heroic in her refusal to employ easy sentimentality or cheap pathos. Nidali is a misfit living through calamitous times, but Jarrar understands that all adolescents feel like misfits living through calamitous times. The political is always personal for Nidali. For her, bombs dropping on Kuwait mean that nobody remembers her 13th birthday. As her family drives across Iraq on their way to Egypt, she writes a letter to Saddam Hussein complaining that his invasion has separated her from her boyfriend. And, ultimately, international crises have less impact on Nidali’s life than ongoing battles between her and her Baba on subjects like curfew and college.
A coming-of-age story that’s both singular and universal—an outstanding debut.Pub Date: Sept. 2, 2008
ISBN: 978-1-59051-272-2
Page Count: 304
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2008
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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