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A FIRE TRUCK NAMED RED

Staake and de Sève are a perfect match in this intergenerational tale that puts value on experience, memories, and time...

When Rowan receives his grandfather’s toy fire truck, he learns to see beauty—and adventure—in the old.

It’s Rowan’s birthday, and the red-haired white boy knows exactly which fire truck he wants. From the store window it beckons, with larger-than-life features and dazzling red paint. But instead, he gets Papa’s rusty old truck. Disappointment and tears brew, but it’s apparent Papa loves the old toy, and as he repairs Red, he recounts their daring deeds. A skeptical Rowan politely listens, until the stories become so interesting, so real, they fill the page, and Rowan is swept up in them, becoming part of Red’s history, seeing Red’s possibilities. Even before the fresh paint dries, Rowan realizes the beauty of Red—and of Papa. Staake’s signature style is as appealing as ever, but it’s his brilliant use of contrasting styles that gives Red its soul. Here, the new, modern toys are rendered in his typical, flat style, whereas Red is depicted with photorealism and loaded with texture, giving the old fire truck life, character, and depth. Papa’s memories of Red are done in an evocative sepia tone. As the adventures become more engrossing, Rowan is literally pulled into them until he is fully immersed, deepening his bond to his Papa.

Staake and de Sève are a perfect match in this intergenerational tale that puts value on experience, memories, and time spent together. An absolute delight. (Picture book. 3-7)

Pub Date: May 3, 2016

ISBN: 978-0-374-30073-9

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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