ZOLA'S ELEPHANT

A lovely, nuanced collaboration.

When Zola moves into the house next door, a young girl imagines all of the reasons why a friendship between them is impossible.

Spying a giant moving box, the narrator immediately concludes that it contains Zola’s pet elephant. Smelling toast, she imagines Zola merrily feeding her pet. In contrast, Zola is shown in a room piled with drab boxes, despondently taking tea and toast with only her pet bird for company. Each brightly bedecked fantasy about Zola and her pachyderm playmate is a facet of the narrator’s cloaked fear of rejection by the newcomer. Readers are poignantly aware, through Zagarenski’s contrasting gray compositions of Zola’s actual circumstances, that she’s lonely and bored. Finally, the narrator’s lively imaginings provoke both curiosity and courage: “I like stories… / and clubhouses / and playing hide-and-seek / and taking bubble baths / with elephants.” Her own stuffed elephant under one arm, she knocks on Zola’s door, discovering that the huge crate contains—a sofa. “Okay, so maybe Zola doesn’t have an elephant. / But do you know what she does have? // A new friend.” De Sève’s well-paced telling is charmingly abetted by Zagarenski’s layered multimedia paintings. The artist’s Klee-esque colors and signature symbols—stars, crowns, houses, bees, and more—will provide fertile ground for young readers’ own imaginings. They depict both girls as pale-skinned, the narrator with fluffy red hair and Zola with straight, black hair.

A lovely, nuanced collaboration. (Picture book. 4-7)

Pub Date: Oct. 9, 2018

ISBN: 978-1-328-88629-3

Page Count: 40

Publisher: HMH Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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