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INVITING MUSLIMS TO CHRIST: A CLEAR PATH TO SALVATION

INCLUDING QUOTATIONS /COMMENTARY FROM THE BIBLE AND QURAN

A rigorous textual juxtaposition of two faiths, marred by uneven writing.

A comparative study of Christianity and Islam that seeks to spell out terms of reconciliation between the two religions. 

When Ireland (Christianity’s Invitation From Jesus to Islam, 2016) was a Protestant seminarian in 2000, he became fascinated by the theological connections between the Christian and Muslim faiths. He discovered many similarities and points of intersection, particularly in the religions’ authoritative scriptures. However, he also noted a considerable doctrinal divide, and that their interpretations of the conditions for salvation are mutually exclusive. For example, Christians venerate Jesus as the son of God and accept his combination of humanity and divinity. However, although the Quran repeatedly references Jesus and recognizes his status as a major prophet, it denies that he was more than a mere man. Ireland carefully reviews relevant passages in the Bible to present a remarkably concise snapshot of Christian theology. He provides a synoptic overview of the faith’s essential message, the Trinitarian conception of God, and an accessible interpretation of the Holy Spirit. Likewise, he explores the fundamental tenets of Judaism, as Christianity was historically connected to it and all three of the major monotheistic traditions are Abrahamic. The author also examines the Quran and adumbrates its foundational beliefs, which simply contradict the Bible’s claim to ultimate authority. Although Ireland calls for mutual respect and tolerance between the two religions—and reciprocal forgiveness for historical sins committed by zealots on either side—his deepest purpose is to describe and recommend the Christian view of salvation, which he says was made possible by Jesus’ ministry, martyrdom, and resurrection. The author’s command of the relevant scriptural material and scholarly commentaries is extraordinary, and this study functions as a handy reference guide for readers looking to compare the Bible and the Quran, point by point. Problematically, though, the prose style can be awkward and unwieldy: “In our review Christianity, would identify Islam as an individual religion separate from the basic beliefs of Christianity, since it uses many terms defined in Christianity or narratives in the Holy Bible in ways that are inconsistent with Biblical teachings.”

A rigorous textual juxtaposition of two faiths, marred by uneven writing.

Pub Date: Dec. 15, 2016

ISBN: 978-0-692-81648-6

Page Count: -

Publisher: Middle East Religious Studies Foundation

Review Posted Online: May 23, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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