A captivating start to an Eastern-flavored and methodically built fantasy epic.
This debut historical fantasy sees a Russian family battle dark forces in the wilds near the Black Sea.
In 1840s Russia, 17-year-old P’etro Fedorchak fights in the Allied Shadow War. He joins comrades Samuil “The Fox” Wolowitz and Dimitri “The Bear” Popovitch against human soldiers and demons coming from a forest by the Black Sea. Samuil perishes in the war but P’etro returns to Moscow a hero. During the celebratory parade, he saves a young woman named Ilia from being trampled by runaway horses. Later, he works on her family farm, where the two fall in love. They marry and move to Bakota, Ukraine, to start a family of their own. When Ilia becomes pregnant, she’s sure it will be a boy, and they plan to name him Samuil. One evening, P’etro notices an otherworldly fog rolling in from the forest. This is the night Ilia gives birth, but not without complications. P’etro crosses the countryside to fetch aid from Galina, the wife of their friend Ivan “The Boar.” P’etro ends up in a magic cave that leads to a cabin in the “Borderlands.” He encounters a “dark presence” that says, “I am he who will destroy everything and everyone you love.” Luckily, P’etro’s family doesn’t face this evil alone. Nikolai of the Caves and his hound, Wolf Killer, will help. For his series opener, Stephens offers a fantasy focusing on primal good and evil that should entrance fans of The Lord of the Rings trilogy. The heroes embody natural icons, and readers see P’etro “the Rock” earn his name during the war for being “strong, unmovable, and true.” The narrative hops forward in stages, checking in on P’etro’s son, Samuil, as a 3-month-old baby, then at ages 8 and 12. Fabulously realized ambiance, utilizing mist and wild cat screams, portrays the eerie Southern Forest as a place of deepening weirdness. Grounded human elements, like P’etro’s traumatic flashbacks to the war, allow the supernatural motifs to ramp up evenly. This first volume’s magical crescendo should create loyal readers who will return for more fairy tale–style grandeur.
A captivating start to an Eastern-flavored and methodically built fantasy epic.Pub Date: April 17, 2019
ISBN: 978-1-5320-6998-7
Page Count: 336
Publisher: iUniverse
Review Posted Online: Sept. 6, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Review Program: Kirkus Indie
A flight of fancy in time and space which transcribes some incidents which take place on the planet of Mars, there's a literary, visionary quality here and an avoidance of the more mechanistic aspects of this medium. From the first expeditions from the earth in rocket ships, to the first settlements, this projects the war to come in which the earth is almost totally destroyed, and the return to Mars- now a wasted, lonely land, by some of its survivors. None of the complexities of concepts or formulae, this has an imaginative rather than technical ingenuity.
Pub Date: May 4, 1950
ISBN: 0380973839
Page Count: 259
Publisher: N/A
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: May 1, 1950
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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