A very fine novel about a mother’s love and a son’s survival.
A woman and her son live with bad judgment, bad company, and bad breaks in Triant’s latest novel.
Fay is a water tank escape artist with a sketchy touring show called “Amazing Humans.” She and her teenage son, Dickie, aka Pete Smith, and her loser boyfriend, Johnson, are scraping by in Key West. A letter from her friend Ginny says that the Amazing Humans act has a gig at a rehab place in Vietnam, where there is big money to be made. Off Fay goes, and of course there is no big money to be made, and Vietnam is a dangerous hellhole. She is desperate to get back home, where she has left her son in the dubious care of Johnson. Chuck, her obsessive lover and the owner of Amazing Humans, will not let her break her yearlong contract. But break it she does when a white phosphorous, or “Willie Pete,” device explodes and she winds up back in the States, alive but hideously disfigured and desperate to find Dickie. Meanwhile Dickie flees Key West, winds up in New York City, and eventually makes a sort-of life for himself in Provincetown on Cape Cod with his friend Spin, who has AIDS. Having known only trailers in his youth, Dickie longs for a home that’s not on wheels. Fay, in her transactional world, always comes out on the short end of transactions. In this novel from the author of The Treehouse(2018), the symbolism comes through loud and clear: Fay is an escape artist who can’t escape her circumstances, and Dickie was left with a disability from early polio after his mother rejected the vaccine. Those who expect a feel-good novel to come from all this will be disappointed. But they will be captured by very good writing and wonderful portraits of Fay and Dickie, who eventually achieves one of his dreams—and who, in the last line of the book, reveals something that suggests that he may finally be escaping from his mother’s water tank.
A very fine novel about a mother’s love and a son’s survival.Pub Date: April 12, 2022
ISBN: 978-1-64742-405-3
Page Count: -
Publisher: She Writes Press
Review Posted Online: Jan. 12, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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