A brief denouement in the final act reveals that each main character has given the others just what they needed; a clever...

LUCY

Defying simple categorization, Cecil’s 144-page illustrated narrative presents a street dog that dreams of home, a light-skinned girl who longs for companionship, and her father, a juggler who panics in front of an audience.

Rendered in oil and printed in softly textured black and gray duotones on white paper, the scenes unfold in circular compositions (suggesting spotlights), accompanied by several sentences per page. Act I and II follow a similar pattern: noisy cars awaken Lucy, and she trots along the pavement to an apartment building’s entrance. Eleanor lowers a piece of sausage on a string from a second-floor window. The juggler’s exceptional skill is showcased when no one is looking, but he is yanked offstage each disastrous night. It is when the sensitive girl attempts to bolster her father’s confidence that changes occur. Each character’s daytime decisions lead to new outcomes after their paths intersect for a show-stopping evening performance during a climactic third act. Quirky caricatures featuring lopsided eyes and flat heads interpret the drama in the streets and interiors of a diverse community in an undetermined urban yesteryear. Children ready to move beyond early readers will appreciate the pace of the page turns and the chance to discover visual details that characters miss.

A brief denouement in the final act reveals that each main character has given the others just what they needed; a clever structure and a satisfying story. (Picture book. 6-9)

Pub Date: Aug. 1, 2016

ISBN: 978-0-7636-6808-2

Page Count: 144

Publisher: Candlewick

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably...

LOST AND FOUND

A lad finds a penguin on his doorstep and resolutely sets out to return it in this briefly told import. 

Eventually, he ends up rowing it all the way back to Antarctica, braving waves and storms, filling in the time by telling it stories. But then, feeling lonely after he drops his silent charge off, he belatedly realizes that it was probably lonely too, and turns back to find it. Seeing Jeffers’s small, distant figures in wide, simply brushed land- and sea-scapes, young viewers will probably cotton to the penguin’s feelings before the boy himself does—but all’s well that ends well, and the reunited companions are last seen adrift together in the wide blue sea. 

Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably with this—slightly—less offbeat friendship tale. (Picture book. 6-8)

Pub Date: Jan. 1, 2006

ISBN: 0-399-24503-0

Page Count: 32

Publisher: Philomel

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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