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THE GORILLA MAN AND THE EMPRESS OF STEAK

A NEW ORLEANS FAMILY MEMOIR

New Orleans forms the richly atmospheric backdrop for a determined, eccentric family who found success in the steakhouse business.

University English teacher and president of two foundations named in his mother’s honor, Fertel eloquently traces his family history back to his childhood as one of two sons born to food lover Ruth and gambling aficionado Rodney, heir to a shady pawnshop business renowned for being “the biggest fences in the South.” Fertel’s parents married young in 1948 and enjoyed 11 years together before separating, Ruth leaning toward business and Rodney, after taking his son on lavish vacations to Europe, launching two outlandish New Orleans mayoral bids with separate campaign promises: one to acquire a gorilla for the zoo, the other to relocate the Blarney Stone to the Superdome. Though the narrative is a bit disjointed and lacks a cohesive ebb and flow (the generous photographs help, however), Fertel’s memoir gains momentum when he details his mother’s fascinating and resilient ascent to eventual nationwide notoriety with the 1965 purchase of the Chris Steak House brand. Her ownership of the restaurant did not get off to good start, as the flagship restaurant was located in a sketchy part of town, some bad blood with the former owner erupted and a fire forced her to relocate and rename it the “hard to forget” Ruth’s Chris Steak House. Christened “the First Lady of American restaurants,” Fertel expands further on his mother’s notoriously delectable taste in quality meats, her distinctive flare for atmosphere and her love and respect for her staff. Ruth succumbed to cancer in 2002, having sold the business three years prior—though, her son lovingly notes, she remains “one of the great restaurateurs in a city of great restaurants.” Fertel ends his memoir with a somber chapter on Hurricane Katrina’s massive devastation, which swept five feet of water into the Ruth’s Chris flagship store. An uneven but zesty chronicle—worth a look for food historians.

 

Pub Date: Oct. 14, 2011

ISBN: 978-1-61703-082-6

Page Count: 288

Publisher: Univ. Press of Mississippi

Review Posted Online: July 30, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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