A detailed explication of a vital artistic and cultural concept.
An exploration of the meanings, purposes, and limits of improvisation in life, art, and politics.
Fertel is a writer, public intellectual, and philanthropist who heads the New Orleans–based Fertel Foundation, which supports projects involving art, education, and food culture, and the Ruth U. Fertel Foundation, which supports education in Louisiana. In these pages, heoffers a tour de force exploration of improvisation and its many uses, beginning with what most people would associate with “improv”: a distinctive form of theater perfected by Chicago’s Second City troupe. But the author then demonstrates how the concept of improvisation touches many other areas of life and society and has immense creative and destructive potential—and he goes on to show why the latter is especially salient in today’s political climate. Indeed, for Fertel, one of the most significant applications of improvisation is in the political arena, where it has the most potential and is the most perilous. While explaining the dark places that former President Donald Trump takes improvisation, Fertel suggests that “his improvising gave him the authority to break norms (and laws).” The author begins his book with the concepts of “cold cognition” (which neuroscientists call the “rational mind”) and “hot cognition” (a term for the “intuitive mind”), and he gradually brings out why both aspects are essential. He also invokes the Greek mythological origins of these ideas, as well as the cross-cultural archetype of the Trickster, and applies these notions to a variety of disciplines, including vaccine development, jazz and hip-hop, and the visual arts. Overall, this is a challenging work that requires readers to absorb complex concepts right at the beginning, and lay readers may find some of its explorations to be easier to grasp than others. Ultimately, though, this is a thoughtful and accessible look at how and why improvisation goes far beyond the stage, and why its power should not be underestimated.
A detailed explication of a vital artistic and cultural concept.Pub Date: Feb. 23, 2024
ISBN: 9780882141589
Page Count: 246
Publisher: N/A
Review Posted Online: March 16, 2024
Review Program: Kirkus Indie
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A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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BOOK REVIEW
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