by Randy Wayne White ‧ RELEASE DATE: March 21, 2017
White comes up with a novel way to re-examine historical crimes: reincarnate the criminals as fictional present-day killers....
A 24th adventure for Marion “Doc” Ford (Deep Blue, 2016, etc.) interrupts his pursuit of a child pornographer to take him into even murkier waters: a kidnapping apparently haunted by a similar crime nearly a century ago.
Back during Prohibition, as an opening Author’s Note obligingly recounts, crusading real-life Deputy John Henry Cox briefly made headlines by disappearing along with his whole family in the middle of his investigation of a bootlegging ring that had made it clear that his attentions weren’t welcome. The case was never closed, and it’s mostly been forgotten—except by Tootsie Barlow, a noted fishing guide who’s convinced that his late father Albert’s involvement in the bootlegging is somehow responsible for his own family’s considerable troubles. Tootsie’s 17-year-old niece, Gracie, has vanished as completely as Deputy Cox; in fact, as Tootsie doesn’t yet know, she’s been kidnapped by an unlovely duo who include Ivy Lambeth, the daughter of legendary smuggler Walter Lambeth, and someone who may or may not be Ivy’s nephew Slaten, the tattoo artist Gracie’s chosen as her unsuitable boyfriend. Doc’s off in the Bahamas on the trail of child porn merchant Jimmy Lutz, and although he promises to return home to Sanibel Island in response to his buddy Tomlinson’s urgent phone call about the Barlow family’s woes, he doesn’t even get out of Lutz’s hotel before another entanglement pops up, this one featuring Lady Gillian Cobourg, an unacknowledged relative of the royal family whom Doc needs to rescue from a fate worse than death. What will have become of Gracie Barlow by the time he gets home?
White comes up with a novel way to re-examine historical crimes: reincarnate the criminals as fictional present-day killers. It’s a crazy idea, and some crazy developments trail in its wake, but it works better than you might expect.Pub Date: March 21, 2017
ISBN: 978-0-399-57668-3
Page Count: 384
Publisher: Putnam
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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