Newcomer Wallace, a former attorney, is more concerned with romance than the law in her fast-paced but shakily plotted first novel. LuAnn Hagerdorn is a daddy's girl whose great act of rebellion was marrying Eddie, a liberal political cartoonist, and moving from hometown Tallagumsa, Alabama—where her family still lives—to Atlanta. The other Hagerdorns include LuAnn's sister, Jane (who's unable to conceive and covets LuAnn and Eddie's four-year-old daughter, Jessie), long-suffering mother Gladys, and LuAnn's father, the imperious Newell Hagerdorn, Tallagumsa's mayor, most prominent citizen, and now front runner for governor. When Newell makes LuAnn (home with a reluctant Eddie for a routine ceremony in Newell's honor) a gift of the Tallagumsa Steak House, a local institution, only LuAnn doesn't realize that it's a bribe to get her back to Alabama, where she can be an asset to Newell's campaign. Largely because LuAnn's pregnant with twins and money is tight, Eddie agrees to a year's trial period in small-town hell; but, even though he gets a great job at the university and a syndication contract to boot, he hadn't bargained on the entry of Ben Gainey into his—and his wife's—life. When LuAnn meets this big-shot reporter who's at work on a book about the New South, sparks fly; and when Ben and LuAnn discover a shocking truth about the never-solved 1963 murder of two black students on their way to integrate the state university, Eddie is left out of the picture. With Newell surfacing as the crime's prime suspect, lives are thrown into turmoil, and it'll take all of LuAnn's reserves of gumption to not only save her marriage but to come to terms both with her father's role in the 30-year-old mystery and her own family history. The trial itself, though, is anticlimactic (Newell has a skeleton in his closet, but he's no killer), leaving the reader with a case of Courtroom Lite. Convoluted and mildly engaging at best.
Pub Date: Nov. 9, 1995
ISBN: 0-312-13571-8
Page Count: 256
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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